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results 21-32 of 32 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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21. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] Woodblock print consisting of six separate bookplate designs. From left to right, top to bottom, designs consist of: a turtle with a hair-like tail ; two storks amid foliage ; a Japanese chrysanthemum ; a traditional Japanese dragon ; small bird perched on a cherry tree branch ; a fish swimming in a stream. Each design has two Japanese characters at top right and bottom left.

22. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] Woodblock print consisting of six separate bookplate designs. From left to right, top to bottom, designs consist of: two butterflies in flight ; a single lobster a cherry tree branch in bloom ; two birds in flight around three stocks of bamboo two figures fan dancing ; three monkeys in the 'hear no evil, see no evil, speak no evil' poses. Each design has two Japanese characters at top right and bottom left.

23. [Bookplate for McIntosh Art Gallery by Leslie Victor Smith] [Bookplate for McIntosh Art Gallery by Leslie Victor Smith] Black ink on cream paper. White ivy border over stippled black background. Names of John Gordon McIntosh and Wilhelmina Morris McIntosh inscribed on facing pages of book, behind which is a lit torch whose rays span out from the center of the plate. The text of the plate is on a scroll which is woven around a lyre, a symbol of harmony.

24. [Bookplate for London Public Library and Art Museum] [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.

25. [Bookplate for Martha Gold Morgan] [Bookplate for Martha Gold Morgan] In black ink on textured paper. At the top of the bookplate, appears a small image of a lion's head, erased, crowned and charged on a straight wreath. The lion's head, set on a white coin above a scroll with the Morgan motto, is the traditional badge of the clan. Two flowers flank the lion motif and one appears centered below the bottom compartment. These designs are set on a background displaying the silhouette of a tree and wind-blown leaves. Morgan's name is written in large black print on white background.

26. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

27. [Bookbinder's Ticket for Leger Brousseau] [Bookbinder's Ticket for Leger Brousseau] A rectangular ticket, black ink on faded blue or grey paper.

28. [Bookbinder's Tickets for Joseph Fortier] [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.

29. [Bookplate for Elora Mechanics' Institute] [Bookplate for Elora Mechanics’ Institute] Black ink on cream paper. A stylized border surrounds text in multiple fonts, including a Gothic title. A number is handwritten at the top of the plate in pencil.

30. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

31. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.

32. [Bookplate for A. Renand and U.E. Archambault] [Bookplate for A. Renand and U.E. Archambault] Black ink on white paper. Border consists of two intertwined braided strands with elaborate corners. Decorative gothic font at the top of the bookplate is surrounded by lines with geometric accents. Smaller, sans serif, capitalized, black font is below surrounded by matching lines. There are three rows of dotted lines. Between the lines, smaller text is printed in serif, capitalized, black font. Underneath is italicized, black font in various sizes. At the bottom of the bookplate is larger, black, cursive font with small, italicized black font in the bottom right corner.
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results 21-32 of 32 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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