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	Search results for Raised    Refine your search Creator 1 () results 21-27 of 27 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 21. [Bookplate for Sir Charles Cockerell] Armorial bookplate. The shield is divided in half to show the arms of both the husband and wife. The left shield, representing the husband, is divided into six sections two of which portray roosters, between which is a face surrounded by leaves. Above the top rooster is a crescent signifying the second son. The middle section is argent (silver or white) with two chevrons. The top chevron is adorned with three flowers and at the top and bottom of the chevron are three eagle heads ; the bottom chevron is adorned with three roundlets and above and below the chevron are three flowers or leaves. Between the chevrons and at the centre of the six sections is a small shield with a left hand facing palm-out. The top right corner shows two lion heads and a bend adorned with three fleur-de-lis. On the bottom left corner is a lion. The second shield shows two lions passant guardant on a black background with an or border. Above the shield is a wreathed helm facing forward with a raised visor therein signifying barony or knighthood. Above the helm is a crescent and crowned tiger head. On both sides of the shield are angelic supporters each carrying a flag staff (adorned with the sun and crescent moon) as well as palm/laurel fronds (on which birds are perched). The figures are adorned in robes decorated with fleur-de-lis and their chests are imprinted with crosses. 22. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 23. [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner. 24. [Bookplate for William Grattan] In black ink, this bookplate consists of an escutcheon, quartered, within an azure (blue) bordure. The first and fourth quadrants are or (gold), and the second and third quadrants gules (red). At the precise middle chief is a crescent, a heraldic symbol representing the second son. The crest consists of a curved wreath and a falcon (or hawk) rising, wings addorsed and inverted, perched on what is possibly a falconers' arm sheath. The falcon's legs are jessed, and the dexter is raised, holding a sceptre. Below the escutcheon is a banner containing the Latin motto. The escutcheon, crest, and banner are surrounded by an oval frame, gules, with a decorative border. 25. [Bookplate for William Swift Keyser] Black ink on cream paper. The crest features an esquire helm with elaborate mantling extending out along both sides of the bookplate. Extended, feathery wings rise out of the top of the helm. The helm sites directly on the shield, which is divided per pale and per rounded chevron. The three parts of the shield are different colour. The upper left portion is argent, the upper right side portion has vertical sable lines, and the rounded bottom portion has horizontal sable lines. Sitting atop the rounded bottom portion is a king. The man is sitting cross-legged and holds a sword in his left hand and a rounded vessel with a cross on top in his right hand. The man is wearing a crown and a cape. He has long hair and a small beard. Below the shield, the bookplate owner’s name is printed on a curling ribbon in capitalized, bold, serif font. Underneath the ribbon, text is printed in sentence case, thin, cursive font followed by a line of small black dots. There is a black ink smudge on the bottom right corner of the bookplate. 26. [Bookplate] In black ink on beige paper, this heraldic bookplate depicts a demi-lion atop a crown, with body erect and forepaws raised in the air holding an escalop. The demi-lion is collared and covered in or (gold) gutté (droplets). 27. [Bookplate] A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper. select all : clear all : add to favorites results 21-27 of 27 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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