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CONTENTdm Collection
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Ribbons
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1.
[Bookplate for Dorothy Maclaren Hepton by William Walker Alexander]
Brown ink on cream paper. A plain border with a thin brown outline on the outside and thick brown outline on the inside. The image in the center of the bookplate is surrounded by a decorative background. The background has brown dots overlaid with thin white leaves on a stem. The stems curl around the left and right sides of the image. The image in the center is surrounded by a border comprised of three petaled leaves. At the top, bottom, left, and right of the border are two crossed strips covering the leaves. A dark inner border separates the decorative leaves from the center image. The image itself depicts two women sitting in an ancient Grecian scene. There is a building with arches in the left background. Next to the building, right behind the women is a large, shaded column. The foregrounded woman is sitting on a platform. Behind her is a small bowl of flowers. The same flowers decorate her dark hair in a floral crown. She is wearing a flowing white dress with a jewelry band around her right arm, which is holding onto her knees. At her feet is a lyre perched against another ledge. Behind the lyre is a dark, three-legged vessel with smoke pouring from it. There are some bushes behind the vessel and a plain horizon with a dark landscape and a pale sky. To the left of the vessel is a woman either standing or on her knees ; her legs are blocked from view by the sitting woman. The woman is playing a wind instrument, potentially an aulos. Her hair is in a half bun and half down. The ribbons in her hair are also flowing behind her head. Curling ribbons extend from below the image’s bottom border. A thicker ribbon rolls out below the ribbon. The bookplate owner’s name is printed in capitalized, serif font. Each word in the owner’s name is printed on its own line, with each line becoming increasingly indented. Two daisy flowers on stems are printed to the left of the last word in the owner’s name.
2.
[Bookplate for Stanley Harrod by S. Harrod]
Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.
3.
[Bookplate for University of Cambridge Christ's College]
Black ink on cream paper. Coat of arms is surrounded by text in ribbons. Shield is quartered. Three fleur de lis in the upper left and lower right corners. Three lions passant, guardant in upper right and lower left corners.
4.
[Bookplate for Pretre L. Bertrand]
An ornate border of foliage, flowers, ribbons, and musical instruments surrounds the text. Below the printed text is a manuscript note. The back of the bookplate is covered in marbling, presumably lifted from a book when the bookplate was removed.
5.
[Bookplate for Stanley Harrod]
Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.
6.
[Bookplate for Margaret M. Howard by Leslie Victor Smith]
Black ink on textured cream colored paper. The image depicts a tall ship at sea with all sails unfurled, listing to the right in a swell of water. The ship is contained within a circular border containing four quatrefoil points. Above, the phrase ‘Ex Libris’ is displayed within a scrolled banner across the top of the bookplate and the circle is framed by hanging garlands of varied types of flowers and ribbons. Below, a shelf depicts a row of bound books that part at the middle, with a blank sheet of paper and a feather quill resting in an inkwell. Below this, ‘Margaret M. Howard’ is written within a large scroll banner that is framed by thorny vines of roses.
7.
[Bookplate for Stanley Harrod]
Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
8.
[Bookplate for William Greening and Cornelia Greening by A. N. Macdonald]
Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back.
9.
[Bookplate for Edward Hale]
Black ink on cream paper. Crest features a snake in an S shape foregrounding 5 arrows, each pointing down towards the crest-wreath. The central arrow points straight down, while the two on both the left and the right are angled inwards. The shield has horizontal sable stripes charged with a chevron counter-embattled decorated with sable dots. Elaborate curling leaf-life ribbons extend from the base of the chevron along the side of the shield. The bookplate owner’s name is written in black, sentence case, cursive font below the shield. The owner’s first name was been abbreviated from Edward to Edwd, with the d in superscript.
10.
[Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett]
Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery.
11.
[Bookplate for Hope Innes]
Printed in black ink on buff paper, the bookplate features a woman with a basket of flowers reading a book. The background includes blooming climbing flowers on a fence, statues, and a sundial. Ribbons of containing text appear at the top and bottom of the image.
12.
[Bookplate for Hopital Général d’Ottawa]
Black ink on cream paper. The bookplate features a border consisting of thick, black wavy lines with arrows on the ends of each line pointing towards the corner. Each corner has three diamonds shaped in a triangle. Inside the border, there is a circular image with a border of two interwoven black wavy lines. Inside that border is capitalized text printed in bold, black, sans serif front. In the center of the circle is a cross coming out of the ground wrapped in vines. Above and below the cross are two ribbons with mottos printed in capitalized, black, sans serif front. At the bottom of the bookplate, outside of the circular design, but inside the first border, is text printed in capitalized, black, serif font.
13.
[Bookplate for Jos-N. Chaussé M.D.]
Black ink on cream paper. An oval border with decoration at the top and bottom surrounds an illustration of a naked female figure whose arms are turning into tree branches, referencing Daphne of Greek mythology. The women’s tree branch arms extend beyond the oval border. She is looking to her left with a laurel crown on other head tied with ribbons while her long black hair flows past her right shoulder. A long, curling ribbon wraps around her back upper body, across her torso, and then back around her legs. Text is printed on the ribbon in bold, black, capitalized, serif font. The woman stands with her ankles crossed and is wearing strappy open-toe flat shoes. She stands in front of an open book. In the top left corner of the left page are initials printed in capitalized, stylized, block font. The woman also stands atop of a closed book, with its pages facing the viewer. In the bottom left and right corners of the bookplate, text is printed in various stylized black fonts.
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