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CONTENTdm Collection
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Sitting
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Description:
1.
[Bookplate for Jac Balfour Paul Ado]
Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap.
2.
[Bookplate for Roderick J. Barman by Margaret Noble]
This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
3.
[Bookplate for Edward Loveden]
This heraldic bookplate consists of an escutcheon, gules (red), with a bend, cottised vert (green) and sable (black). The escutcheon is charged with four sinister hands, roughly at centre chief, sinister, dexter, and centre base. Above the escutcheon is a straight wreath charged with a heraldic tiger, sejant (sitting position).
4.
[Bookplate for George de Pafsow]
This heraldic bookplate consists of an escutcheon, azure (blue), charged with a greyhound courant (in motion), running on ground. Above the escutcheon is a straight wreath, charged with a greyhound couchant (sitting position). Below the escutcheon is bookplate owner's name.
5.
[Bookplate for Edmund F. Bourke by T. Welch]
This heraldic bookplate consists of an escutcheon quartered per cross. The dexter chief and sinister base sections contain a gules (red) cross on an or (gold) background. At the dexter chief of each cross is a lion rampant. The dexter base and sinister chief sections are each divided per pale, with an argent (silver) dexter side and a gules (red) sinister side. In the middle of these two sections is a lion rampant surrounded by three fleur-de-lis, two over one. Sitting atop the shield on a curved crest wreath is a cat guardant with leash. Below the shield is a banner containing the Latin motto.
6.
[Bookplate for Charles S. Dixwell by G. M. McCall]
This heraldic bookplate consists of a tilted escutcheon, argent (silver) divided per chevron, gules (red). Within the escutcheon are charges, two over one, of fleur-de-lis. A steel helmet, closed, situated en profile dexter(denoting an esquire rank), sits upon the escutcheon, with a stylized cross within. Sitting upon the helmet is a clenched paw (possibly lion) grasping a bird claw with four talons. The escutcheon is surrounded by mantling with banners both above and below, 'EX LIBRIS' in the above banner (along with a small fleur-de-lis dividing the two words). The lower banner has owner name and place within. Entire image is surrounded by an elaborate rectangle border, with fleur-de-lis at each corner.
7.
[Bookplate for Samuel Lustgarten by G. H.]
This bookplate's design features a man sitting in an armchair, with his feet propped on a hassock, reading and smoking a pipe. The walls of his study are lined with book shelves and covered with works of art and seem to indicate his taste, connoisseurship and acumen.
8.
[Bookplate for Commercial and Technical High School]
This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.
9.
[Bookplate for Commercial High School]
This bookplate is printed in black ink on white paper and shows a tabletop, with an oil lamp sitting on a pile of books next to a inkwell with quill. A bubble issuing from the spout of the lamp contains the name of the school, and a sheet of paper extending off the tabletop contains the book information.
10.
[Bookplate for A. W. Robertson by Tom Eaglin]
This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin.
11.
[Bookplate for Lyman Tower Sargent]
This bookplate is executed in brown ink on white paper. In the background is a framed picture of a ship. There is also a globe and a range of books supported at each end by bookends of monks sitting and reading. In the foreground is an open book with a ink well and quill.
12.
[Bookplate by Eiichi Hirose]
The picture is of a stone pillar amongst a garden with a yellow frame outline. The pillar has several symbols which represent the same image found on a 5 yen coin. There is a hole in the centre which holds water for a person to drink from using the yellow bamboo cup sitting on the top of the pillar.
13.
[Bookplate for Susie Maria Denton Massey]
The image of a large house sitting above a wooded riverbank is possibly that of Dentonia Park Farm, the estate and working farm that Hart Massey built for his wife Susie in 1889. Massey's name is flanked by two lions bearing shields.
14.
[Bookplate for Eiichi Hirose by J. Lee]
The central image, on a square yellow background, is of a red four-winged butterfly sitting at the base of a yellow flower. The butterfly is located at the left side of the image.
15.
[Bookplate by Eiichi Hirose]
The central image is a view from overtop of a grey can sitting on a blue and white chequered background. The can has an inner and an outer ring with 8 red and green strawberries sitting at the centre of the can.
16.
[Bookplate for Harry E. Jones]
Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.
17.
[Bookplate for Claude Lamont Wheeler by C. Collmen]
Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner.
18.
[Bookplate for Hilda Shibley]
Printed in black ink on white paper, the words 'EX LIBRIS' appear at the top of the bookplate, below which sits a winged stag facing left or a stag sitting on a winged cloud. Below the stag appear the words HILDA / SHIBLEY.'.
19.
[Bookplate for Lesslie M. Sweetnam by F. F. H.]
Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.
20.
[Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald]
Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork.
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