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21.
[Bookplate for G Wirthrich]
In black ink. Decorated escutcheon is parted per fess. Top, gules (red), a man cut off at the hips, bearded, with a downturned arrow in his right hand, a club in his left, a rapier in his mouth, and wearing a rounded hat. Bottom, azure (blue), a battle-axe and a club crossed. Supporters, two gryphons combatant with arrowed tongues standing on stairs. Above the escutcheon is a ducal coronet.
22.
[Bookplate for D. Benzie by Stanley Harrod]
In black ink. Decorative border surrounding an etched picture of a man standing on a cliff with his hand on a piece of equipment holding a bag overlooking water, a city skyline, and mountains hiding the sun. Below the picture is a box with the text.
23.
[Bookplate for Toronto Public Library by J. E. H. MacDonald]
In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.
24.
[Bookplate for Frederic Lumb Wanklyn]
In brown ink on white paper, a flying duck within a darkened circle is at the centre of the bookplate. It appears to be affixed to a post, on top of which there is a sign that reads 'Ex Libris F.L. Wanklyn.' The post is standing in a marsh.
25.
[Bookplate for Anne Marie Smith]
Landscape scene of a solitary pine tree in standing erect among tall grass in the foreground, and white mountains against a grey cloudy sky in the background. Scene is bordered by a pillar on each side. A decorative symbol of an owl with outstretched wings is at the base of the scene.
26.
[Bookplate for L. Farkas and J. E. Horvath by K. J.]
Line drawing done in black ink on tan paper. Two plant pots with thorny vines at the at bottom of the image, one is standing and one is laying down. The vine from the standing pot, a rose vine, extends to the upper edge where it forms a frame around an open book with the letters A B C and children toys. The middle of the drawing displays a book with a rosary and flowers behind it. The text starts above the flowers, continues between the book and the plant pots, ending under the plant pots. A small round seal with the initals RS is displayed at the bottom left corner of te bookplate.
27.
[Bookplate for H. F. McLaughlin by Francis Adams Sc.]
Lion’s head atop crown ; Arms of shield: 1st quarter - the “Dalriadic Royal Lyon” on dotted background, 2nd quarter - hand holding cross, 3rd quarter - galley with oars, 4th quarter - salmon swimming ; Supporters: does standing on either side of shield ; motto underneath ; “HLF” monogram at bottom.
28.
[Bookplate for J. E. Morsh]
Pictorial bookplate showing a night scene with a single elderly person standing under a tree.
29.
[Bookplate for Walter Koerner and Marianne Koerner by Leo Haas]
Pictorial bookplate. A nude couple is portrayed standing and sitting on an open book that is suspended above a European city. The man is standing with his arms extended towards the sun and the woman is sitting at his feet facing in the same direction.
30.
[Bookplate for University of British Columbia]
Picture of letter A (perhaps taken from a children's alphabet book) with a boy behind the letter on the dexter side. The boy is wearing overalls and a hat and is standing on a patch of grass.
31.
[Bookplate for Maurie Barrett]
Printed in black ink on white paper, with a peel and stick feature. The image is a version of the crest of the Arms of Canada. It shows a crowned lion standing on a wreath, with mouth open and tongue extended. The lion holds aloft the maple leaf and looks out from his frame which is surrounded by more maple leaves in a double frame. The lion's position, with the dexter forepaw raised and head turned to face the viewer, is known as passant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.
32.
[Bookplate for Montreal Theological Training College]
Printed in black ink, a very ornate border surrounds the text.
33.
[Bookplate for Harry E. Jones]
Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.
34.
[Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie]
Textual and pictorial bookplate created using burgundy ink on ivory paper. The image and text are within a thin frame ; at the top centre is a standing dragon holding a ball below which is a banner.
35.
[Bookplate for G. L. L. Davies]
The central image is bordered from the outside moving inwards by a black frame surrounding a white frame, surrounding a black frame surrounding a white frame, surrounding a single black fillet containing the central image. The central image is of two leafless trees standing to either side of a view until a series of three hills. In the distance is a black sun rising with black and white rays coming from it towards the top of the image. The entire image is bordered by two banners at the top and bottom which are separated from the main image by a single black fillet.
36.
[Bookplate for John Hurley]
The central image is of a man facing to the left wearing 16th century Tudor clothing, shoes and haircut. He is carrying a tray with an inkwell and a feather pen standing upright from it.
37.
[Bookplate for Arthur Coburn by L. J. R.]
The image is of a man standing between two deciduous trees. The man has black hair and is wearing antique garments from the Italian Renaissance and white tights. He is also reading a large black book and has a small black leather belt and pouch. The whole image is surrounded by a double filleted black border.
38.
[Bookplate for Lewis Harcourt]
There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century.
39.
[Bookplate for Winifred Baker]
This bookplate, black ink on ivory paper, consists of a number of books standing up right on a flat surface. In front of the standing books is a book left open, and a candle stick with candle alight. From the candle's flame, light radiates out in all directions. Running along the left border are a series of vertical lines of varying widths, and along the right border are a series of ten small symbols.
40.
[Bookplate for Edward Loveden]
This heraldic bookplate consists of an escutcheon, gules (red), with a bend, cottised vert (green) and sable (black). The escutcheon is charged with four sinister hands, roughly at centre chief, sinister, dexter, and centre base. Above the escutcheon is a straight wreath charged with a heraldic tiger, sejant (sitting position).
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