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results 21-39 of 39 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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21. [Bookplate for Jeffrey H. Burland] [Bookplate for Jeffrey H. Burland] In black ink. Bank note style design. In the middle is a picture of stacked books with letters on their spines spelling out the word "number," and an open one in front containing the book number in red ink. Below is a picture of an inkwell and quill on a tasseled cloth.

22. [Bookplate for John Eardley Wilmot] [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one.

23. [Bookplate] [Bookplate] This bookplate's design consists of a vista of a tree.

24. [Bookplate for Frances Radbill and Frederick Starr] [Bookplate for Frances Radbill and Frederick Starr] Bookplate consists of two Japanese figures in traditional Japanese dress and style. Female on the right has a robe of flowers and flowers in hair. Cherry branch in background. A Japanese lantern is placed below bookplate image and text at bottom left. Bookplate is in colour.

25. [Bookplate for G. H. O. Mayer by S. Co.] [Bookplate for G. H. O. Mayer by S. Co.] In black ink. Two lions rampant reguardant flanking a sword on a black background of symetrically drawn vines. A decorative scroll in the top portion of the plate features the originator's name. The bottom right-hand corner of this plate is torn off.

26. [Bookplate for Mary Alice Peck] [Bookplate for Mary Alice Peck] Black ink on grey paper. The top portion of the bookplate features a series of vines on which appear to be bell shaped flowers, beneath which lies the owner's name.

27. [Bookplate for Lorne A. Pierce by Marjorie Sankey] [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand.

28. [Bookplate for James Stevenson by H. Wilson] [Bookplate for James Stevenson by H. Wilson] A Latin phrase is written on a banner at the top of the plate. Beneath it is a hand ascending from a heraldic silk wreath, holding a crown of leaves. While illustrated in a pictorial style, the image is reminiscent of the heraldic image of a dexter hand couped at the wrist, holding a crown of laurel or bay leaves.

29. [Bookplate for Sisterhood of St. John the Divine] [Bookplate for Sisterhood of St. John the Divine] A bird encircled by the convent's motto with the name of the convent library written above and below.

30. [Bookplate for Curtis Henry Remy] [Bookplate for Curtis Henry Remy] Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.

31. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

32. [Bookplate for Alex Watters] [Bookplate for Alex Watters] Printed in black ink on cream or tan paper the book plate features a bare-chested female figure in an art deco style holding a foil in her right hand and wiping the blade with a cloth in her left hand. Behind the figure's head is a sun burst design. The figure wears an elaborate headpiece as well as an involved crescent moon necklace and a flowered sarong. To the left of the figure, the words 'Tis / DEATH / To / KEEP' appear vertically. To the right of the figure appear the words 'EX / LIBRIS' horizontally and the words 'ALEX / WATTERS' vertically.

33. [Bookplate for Dunbar Browne] [Bookplate for Dunbar Browne] A floral, somewhat art nouveau style border surrounding the text.

34. [Bookplate for Dunbar Browne Jr.] [Bookplate for Dunbar Browne Jr.] A floral, somewhat art nouveau style border surrounding the text.

35. [Bookplate for Alfred B. Wiener by Antioch Bookplate Company] [Bookplate for Alfred B. Wiener by Antioch Bookplate Company] This bookplate is printed in black ink in an art deco style with Broadway font (c. 1928) for the owner's name. It shows a man in formal wear reading a book.

36. [Bookplate for William Greig] [Bookplate for William Greig] Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.

37. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

38. [Bookplate for L. Emile Grothé by Aimé Dufesne] [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.

39. [Bookplate for R. A. A. Jones] [Bookplate for R. A. A. Jones] Black ink on white paper. The crest features an armoured arm extending straight out of a crest-wreath. The hand is clutching a spear with points on either end. Droplets are falling from the right spear point. The shield is black with a white chevron. The chevron has a thin white border along its top and bottom edges. The shield is charged with three white double-ended spears, the same style as that in the crest, two over one. The spears have a more elaborate top tip with a line down the middle, with the bottom tip being a simple, undecorated triangle shape. Below the shield, the motto is printed in black, capitalized, serif font. The ribbon has curling ends that split into two with rounds on each end. Underneath the motto, the bookplate owner’s name is printed in large, sentence case, black cursive font.
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