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	Search results for Surrounded    Refine your search Creator 3 () 2 () 2 () 2 () 1 () 1 () 1 () 1 () 1 () 1 () results 61-80 of 133 item(s)  page 4 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 61. [Bookplate for Stetson] In black ink, this bookplate contains an escutcheon, argent (silver), surrounded by a grape vine bordure. The escutcheon contains a scrape, azure (blue), and is charged with two gryphons, at dexter chief and sinister base. Above the escutcheon is a straight crest wreath and a demi-gryphon. Below the escutcheon is a banner containing the Latin motto. 62. [Bookplate for Henry Flitcroft] In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin. 63. [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one. 64. [Bookplate for Gladys Lillian Boyd] In black ink. A partial globe resting on clouds surrounded by books and paper. Above is an old printing press on which is perched a bird with a half circle of sun rays surrounding it. 65. [Bookplate for Caleb Whitehorn by William Henshaw] In black ink. Decorative escutcheon parted per chevron, fleury-counterfleury, argent (silver) and sable (black), one escallop. Above chevron, argent, with two towers, sable. Above the escutcheon is a straight crest wreath topped with five spears, entwined. Escutcheon surrounded with flowered mantling. 66. [Bookplate for Brisset] In black ink. Escutcheon parted per pale. Dexter side, gyrony of six pieces, argent [white] and ermines. The sinister side, argent with three escalops, two over one. On top of the escutcheon sits a grated peers' helmet surrounded by mantling. Below the escutcheon is a banner containing the French motto. 67. [Bookplate for Franklin Billner] In black ink. Escutcheon tilted to the left and parted per pale. The dexter half, or [gold], with a lion, gules [red], coward, holding a fan-like object between its front paws. The sinister half parted per fess, sable [black], on a field, or, with decorative patterns not typically seen in heraldry. Escutcheon surrounded by leafy mantling. Above is a tilting helmet on top of which sits an unidentifiable crown. On top of the crown is a lion, gules, coward, holding a fan-like object in its front paws. Wings, displayed, fan out from the top of the crown surrounding the lion. 68. [Bookplate] In black ink. The escutcheon, argent (silver), is charged with a mullet, pierced, azure (blue), at the fess point, surrounded by three cross crosslets, fitched, gules (red), two over one. The shield itself is constructed from rococo scrolls and is surrounded by elaborate vegetative mantling, finishing in a pair of tassels. Above the escutcheon is a peer helmet, charged with a straight wreath, and a cubit arm, clutching a cross crosslet fitchy. Below the escutcheon is a banner displaying the originators Latin motto. 69. [Bookplate for Royal College of Dental Surgeons of Ontario] In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands. 70. [Bookplate for Basil Thomas Woodd by Benjamin Warwick] In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted). 71. [Bookplate for Thomas Taylor by James Cole] In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto. 72. [Bookplate for Ernest Frederick Hick] In black ink. This twentieth century bookplate features a Canadian design. In the center is an escutcheon charged with a large maple leaf, seed pods and the originator's initial 'H.' The escutcheon is set on a dark, circular background and surrounded by maple boughs. Below the escutcheon is a banner displaying the originator's name. 73. [Bookplate] In blue ink on yellow paper. This bookplate displays a mounted trumpeter, suited in armour. Behind his right leg hangs a shield charged with what appears to be an eagle displayed. The equestrian is surrounded by a rectangular frame containing alternating vegetative designs and open books resting on book stands. Above the figure, within the frame appears the work ex-libris and below, in the base of the frame the institution name. 74. [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag. 75. [Bookplate for William Kerrigan] In dark brown ink. This bookplate's design features a heavily patterned book with a scroll and feather pen in the centre, and a separate compartment below displaying the originator's name. These designs are surrounded by a rectangular frame of acorn-laden, oak branches. The book itself is depicted from an odd perspective. 76. [Bookplate for Cedric Newell] In this pictorial bookplate the illustration is of a young child dressed in trousers and suspenders sitting on a stone fence and holding three books. In the foreground are fox gloves and in the background are a field and a cottage surrounded by trees. 77. [Bookplate for Cynthia Gabriel and William Gabriel by R. W. G.] Pictorial bookplate (black ink on ivory paper) portraying a home surrounded by pine trees. In the immediate forefront is a rather oversized squirrel. 78. [Bookplate for Margarete Bertha Kahn] Pictorial bookplate. Adult hands are portrayed protecting and cultivating a growing plant. The image is within an oval and is surrounded by a black border. 79. [Bookplate for Charles Hughes] Pictorial bookplate. Portrays England and Ireland surrounded by frame of lions and kangaroos. 80. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery. select all : clear all : add to favorites results 61-80 of 133 item(s)  page 4 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next
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