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	Search results for Surrounds    Refine your search Creator 6 () 2 () 2 () 2 () 1 () Show more... results 101-120 of 121 item(s)  page 6 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 101. [Bookplate for Ludger Gravel by Impremerie Ludger Gravel] Printed in black ink, the double-line border surrounds the text of the owner’s name, address, and book number. 102. [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags. 103. [Bookplate for L’Institut Canadien] Printed in black ink, a thick decorative border surrounds the text. 104. [Bookplate for F. E. Gilman] Black ink on pink paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font. 105. [Bookplate for F. E. Gilman] Black ink on blue paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font. 106. [Bookplate for F. E. Gilman] Black ink on off-white paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font. 107. [Bookplate for C. Haight] A decorative border surrounds the text that features two quotes. 108. [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size. 109. [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso. 110. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 111. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back. 112. [Bookplate for E. J. Hodgson] Black ink on cream paper. The crest features a bird perched on a crest-wreath. The bird has elaborate head and tail feathers and is holding a leafy branch in its beak. Curling, leafy mantling surrounds the shield, which is divided per chevron engrailed. The top portion of the shield is argent with sable dots and charged with two trussed sable striped birds. The bottom portion of the shield is sable striped and is charged with a trussed argent bird with sable dots. Below the shield, the motto is printed on a ribbon with curling ends. The mottos is written in black, capitalized, sans serif font. The last s in “SPES” has been thickened by hand. Below the motto, the bookplate owner’s name is printed in black, sentence case, stylized gothic font with curling spirals. 113. [Bookplate for Huddleston] Black ink on cream paper. Vertical, rectangular, thick black border surrounds vertically stacked letters that are linked into each other. The letters alternative between white with a black border and all black sans-serif font. 114. [Bookplate for B. Hallé by L. P.] Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate. 115. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 116. [Bookplate for James Lee] Brown and red ink on cream paper. A thick brown border surrounds the bookplate. Inside is a thin red border. Underneath the top of the red border are two leaves printed on the left and right side of block, capitalized, serif text. At the base of the red border, text is printed in the same block letters in a slightly larger size. There is a second thin red border within the first one, inside of the block text. Inside this border is the image of a man sitting indoors reading a book. The man has long hair tied with a bow in the back and is wearing a long dark coat and large pants cropped at the knee. He also has simple shoes with bows on his feet. He is sitting in a large wooden chair and smoking a pipe. Behind him to the right is a window with diamond patterns. To the left of the window is a small frame with little detail. The man and his chair are in profile. In front of them, half a round table is visible. A small vase and a thin glass are atop the table. At the man’s feet, a small black cat lies curled atop a closed book. 117. [Bookplate for Montreal & District Brotherhood Federation, W. Bourdeu, S James United Brotherhood, and T. B. Macaulay] Black ink on white paper. A border consisting of a thick black line with thinner black lines surrounds the bookplate. At the top of the bookplate, there is a circular decoration with a black border. Inside the border is a plain section with rounded edges on the outer rim. Inside that section is a thick black circle with text printed in capitalized, sans serif white font. A thin white border separates the thick black section from an image of a black and white globe with cross sections. In the middle of the globe, a circle shows two hands with black sleeves shaking. Above the hands is a sun with beams. Below the hands, letters are printed in capitalized, sans serif block letters with a black border. Underneath the circular design, font is printed in capitalized, serif, black, font. On the next line is a dotted line. Below the dotted line is the same font in a smaller size followed by another dotted line. The same font, but larger, is printed on the next line. In the next line the font is smaller and then larger and smaller again in the subsequent two lines. Below these lines, text is printed in bold, black, small sans serif font. Underneath this line, text is printed in small, sentence case, black, serif font and is followed by a dotted line. 118. [Bookplate for Alfred P. S. Dubord] A simple border surrounds the text. In the year “1856” the six is clearly written in black ink. A dashed line separates the first two lines of text from the last line of text. 119. [Bookplate for W. J. Diamond] A simple border of lines and leaves surrounds the text. Each line of text is printed in a different font. Each line is also separated by a simple illustration. 120. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text. select all : clear all : add to favorites results 101-120 of 121 item(s)  page 6 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next
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