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1. [Bookplate for Vincent Stuckey] [Bookplate for Vincent Stuckey] In black in, this bookplate consists of and escutcheon divided per pale. The dexter half is divided per bend sinister, or (gold), azure (blue) and dove-tailed, and charged with a lion, rampant and ermine with a tail queue fourché. At the dexter chief of the half is an azure canton charged with a mascle, or. The sinister half of the escutcheon is identical to the dexter, except that at it also contains a crescent at middle chief. The escutcheon is crested by a straight crest wreath and a demi-lion with tail queue fourché, ermine and charged with a mascle, azure. Below the escutcheon is a banner containing the Latin motto.

2. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] In black ink. Image of a turtle with a hair-like tail. Japanese characters in the top right and bottom left corners.

3. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of two roosters facing to the left. The smaller of the two is superimposed onto the hind portion of the larger one which is to the rear of the image. The roosters have orange crests, black tail feathers, and orange/brown coloured feathers over the rest of their bodies. The smaller of the two chickens is located towards the right, while the larger one is located on the left. Both roosters are facing towards the left.

4. [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.

5. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on white paper, with a peel and stick feature. The image is a version of the crest of the Arms of Canada. It shows a crowned lion standing on a wreath, with mouth open and tongue extended. The lion holds aloft the maple leaf and looks out from his frame which is surrounded by more maple leaves in a double frame. The lion's position, with the dexter forepaw raised and head turned to face the viewer, is known as passant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

6. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on beige paper, with a glued back. The image is a version of the crest of the Arms of Canada. It shows a crowned lion atop a larger crown, with mouth open and tongue extended. The lion stands firm with his rear right leg forward as if indicating an intent to pounce. This position, with all four paws on the ground and head turned to face the viewer, is known as statant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

7. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.

8. [Bookplate for Monk] [Bookplate for Monk] This bookplate consists of an escutcheon divided per pale. The dexter quadrant, gules (red), is charged with a chevron, argent (silver), and three lion heads, erased, two over one. The sinister quadrant, azure (blue), is charged with a lion, rampant, and three scrolls, two over one with the lion in-between. Above the escutcheon is a curved crest wreath, and a dragon, erect and gules, with tail nowed.

9. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] Woodblock print consisting of six separate bookplate designs. From left to right, top to bottom, designs consist of: a turtle with a hair-like tail ; two storks amid foliage ; a Japanese chrysanthemum ; a traditional Japanese dragon ; small bird perched on a cherry tree branch ; a fish swimming in a stream. Each design has two Japanese characters at top right and bottom left.

10. [Bookplate for Gertrude Elliott by Rustcraft USA] [Bookplate for Gertrude Elliott by Rustcraft USA] Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name.

11. [Bookplate for Henri Rainville] [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume.

12. [Bookplate for Gilbert Finlay Girdwood] [Bookplate for Gilbert Finlay Girdwood] Black ink on white paper. Argent and sable with a straight line down the middle. Left hand side is sable and argent per pale charged with three castle towers, two over one. Right hand side is argent, with a chevron engrailed sable. Chevron surrounded by three roundlets sable, two over one. Shield is wrapped in stylized bordure. At the top, is a crest featuring a demi-lion rampant guardant, tail extended holding a tree in its right paw. Lion sits on a crest-wreath. Below is a motto on a stylized banner with decorative ends. The bottom of the bookplate has typed cursive fond followed by serif font.

13. [Bookplate for E. J. Hodgson] [Bookplate for E. J. Hodgson] Black ink on cream paper. The crest features a bird perched on a crest-wreath. The bird has elaborate head and tail feathers and is holding a leafy branch in its beak. Curling, leafy mantling surrounds the shield, which is divided per chevron engrailed. The top portion of the shield is argent with sable dots and charged with two trussed sable striped birds. The bottom portion of the shield is sable striped and is charged with a trussed argent bird with sable dots. Below the shield, the motto is printed on a ribbon with curling ends. The mottos is written in black, capitalized, sans serif font. The last s in “SPES” has been thickened by hand. Below the motto, the bookplate owner’s name is printed in black, sentence case, stylized gothic font with curling spirals.

14. [Bookplate for Ruth Delia Lyman] [Bookplate for Ruth Delia Lyman] Black ink on cream paper. A demi-bull sites atop a crest-wreath. The bull has its top legs up and a curling tail, as well as two horns. The motto is printed below the crest-wreath on a curling ribbon in capitalized, black, sans serif font. Below this image, two lines of text is printed in large, capitalized, black, sans serif font.
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