CONTENTdm Collection : Search Results

home : browse : advanced search : preferences : my favorites : about : help

CONTENTdm Collection


Search results for Text:

	Refine your search
Creator 3 () 2 () 2 () 2 () 2 () Show more...

results 201-220 of 278 item(s)

page 11 of 14 : ( << 11 12 13 14 >> ) :: previous : next

select all : clear all : add to favorites

	Title:	Description:

201.	[Bookplate for Paul Hahn by J. M.]	Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border.

202.	[Bookplate for Peter Courchesne]	The small image on this bookplate is located to the right and is merely a small opened book with, what looks like, a antiquarian writing on it.

203.	[Bookplate for Phileas Vercheres de Boucherville]	Black text on blue paper, with a brown discoloration on the left side.

204.	[Bookplate for Pierre Louis Deschenaux]	The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics.

205.	[Bookplate for Pratt Institute Free Library]	Black ink on white paper. Fine border surrounds text. Partial words in pink rubber stamp ink at bottom.

206.	[Bookplate for Pretre L. Bertrand]	An ornate border of foliage, flowers, ribbons, and musical instruments surrounds the text. Below the printed text is a manuscript note. The back of the bookplate is covered in marbling, presumably lifted from a book when the bookplate was removed.

207.	[Bookplate for R. D. Stuart]	Consisting of a decorative border with the text of Swallowfield Farm sitting on a spear that is horizontal across the middle of the bookplate.

208.	[Bookplate for R. W. Urwin by Diocese of Durham]	At the top of this bookplate, above the text, is the arms of the bishopric of Durham. The escutcheon is azure (blue), and contains an or (gold) cross patonce. Each quadrant of the cross contains a lion rampant. On top of the shield is a bishop's mitre. As the Bishops of Durham were formerly princes of the Palatinate of Durham, this mitre has the unique distinction of also including a ducal coronet which provides for greater heraldic distinction. The bookplate is in letterpress with handwritten inserts.

209.	[Bookplate for Rainald Knightley]	In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue).

210.	[Bookplate for Royal College of Dental Surgeons of Ontario]	In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands.

211.	[Bookplate for Ruth Delia Lyman]	Black ink on cream paper. A demi-bull sites atop a crest-wreath. The bull has its top legs up and a curling tail, as well as two horns. The motto is printed below the crest-wreath on a curling ribbon in capitalized, black, sans serif font. Below this image, two lines of text is printed in large, capitalized, black, sans serif font.

212.	[Bookplate for Sir Charles Tupper]	Crest is a dog (i.e. loyalty and guidance). Helm is a Baronets and Knights. On the shield at the middle chief are two boars (i.e. courage and savagery) ; at the fess point are three shells(i.e. water, love, St. James the Apostle, pilgrimage and travel).

213.	[Bookplate for St. Catherine Street Baptist Church]	An ornate border surrounds the text, printed in black ink on pink paper.

214.	[Bookplate for Stanley C. Bagg]	This bookplate consists of black gothic text surrounded by an elaborate border, all printed on yellow paper.

215.	[Bookplate for Stanley Harrod by S. Harrod]	Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.

216.	[Bookplate for Stanley Harrod by T. Z.]	Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

217.	[Bookplate for Stanley Harrod]	Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

218.	[Bookplate for Theodore A. Jackson by Franklin Bittner]	The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.

219.	[Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath]	The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Two young figures act as supporters ; the one on the left holds an open book while gazing towards the sinister supporter. The shield and figures rest on an ornate panel with the ownership text. A heavy curtain is draped on top and to the left of the shield and behind it a book case is visible. At the bottom of the bookplate it is noted that the image is a reproduction of an old engraving (Nach einem alten Stich).

220.	[Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society]	Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.

select all : clear all : add to favorites

results 201-220 of 278 item(s)

page 11 of 14 : ( << 11 12 13 14 >> ) :: previous : next

^ to top ^