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Title:
Description:
21.
[Bookplate for Sir Casimir Stanislaus Gzowski]
The coat of arms consists of a shield charged with an upright rake on a gold field, topped with a helmet and feathers. The ribbon under the shield contains the owner’s name.
22.
[Bookplate for Congregational Theological Institute]
The border has a border of lines with a more elaborate border 'wrapped' around it. The corners are adorned with small flowers. Within the border, the word 'Canadian' is in a bold font, and 'Congregational Theological' is in Gothic typeface.
23.
[Bookplate for Theodore A. Jackson by Franklin Bittner]
The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.
24.
[Bookplate for Congregational College of British North America]
The bookplate has a stylized border of geometric patterns. Within the border, the words 'Congregational College' are written in Gothic typeface, with 'of British North America' written in a plainer font.
25.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif.
26.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif.
27.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with elaborate corner designs. The border is a simple 'X' interwoven pattern, and the corners have small crosses or 'X' on them. Within the border, the text 'Congregational College' is in a slightly more elaborate typeface than the remaining text, which is a simple serif font.
28.
[Bookplate for Robert E. Harris by W.A. Ives]
The bookplate features an ornate border surrounding a coat of arms, motto, and illustration of books and the lamp of knowledge. The coat of arms features three silver crescents on a sable field. The shield is topped with a helmet and eagle with wings spread. The ribbon below contains the motto. The artist’s name appears under the books.
29.
[Bookplate for Thomas Nickleson Jeffery by C. W. Torbett]
The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto.
30.
[Bookplate for J. Harry Smith by William Walker Alexander]
Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.
31.
[Bookplate for L’Institut Canadien]
Printed in black ink, a thick decorative border surrounds the text.
32.
[Bookplate for Lesslie M. Sweetnam by F. F. H.]
Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.
33.
[Bookplate for J. E. Morsh]
Pictorial bookplate showing a night scene with a single elderly person standing under a tree.
34.
[Bookplate by James Gourlay Gray]
Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.
35.
[Bookplate for L. Farkas and J. E. Horvath by K. J.]
Line drawing done in black ink on tan paper. Two plant pots with thorny vines at the at bottom of the image, one is standing and one is laying down. The vine from the standing pot, a rose vine, extends to the upper edge where it forms a frame around an open book with the letters A B C and children toys. The middle of the drawing displays a book with a rosary and flowers behind it. The text starts above the flowers, continues between the book and the plant pots, ending under the plant pots. A small round seal with the initals RS is displayed at the bottom left corner of te bookplate.
36.
[Bookplate for James Phinney Baxter]
In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."
37.
[Bookplate]
In black ink. Argent [White or Silver], charged with an oak tree. On a fess, azure [Blue], a crescent, between two molets. Above the escutcheon is a straight crest wreath on which is a cubit arm, erect, issuing from a cloud, in the hand a branch of olive, all proper. Below the escutcheon is a banner containing the Latin motto.
38.
[Bookplate for Edmund Maskelyne]
In black ink, this chippendale-style bookplate consists of an escutcheon, sable (black), charged with a fess, or (gold) and engrailed, and three escallopes, two over one. The escutcheon is crested by a wreath and a demi-lion, holding an escallope between its two paws. The originator's name is framed within the chippendale floral decoration below the escutcheon.
39.
[Bookplate for Henry Flitcroft]
In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.
40.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate.
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