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Description:
1.
[Bookplate for University of British Columbia Library]
Grey print on cream paper. The UBC shield is on a dark background. Text appears above and below the shield.
2.
[Bookplate for Dallas Hinton and Ardith Hinton]
Three copies of the same image are printed on Avery label paper using a black and white computer printer. The image is of a man standing between two deciduous trees and reading a large book.
3.
[Bookplate by Eiichi Hirose]
A ragged edge of a central image is covered in a grey coloured wash. A Japanese woman is reclining on her knees and is using a black Japanese Fan. The woman is wearing a flowered kimono and is facing to the right.
4.
[Bookplate for James R. Adams]
A pictorial bookplate depicting two owls perched on a disordered pile of open and closed books in black ink on ivory paper (with glue on back). "EX-LIBRIS" is part of the image ; however, the name has been added using a commercial rubber stamp within a space deliberately left within a banner.
5.
[Bookplate for Jac Balfour Paul Ado]
Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap.
6.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
7.
[Bookplate for Amelia Alexis Alvey by Eva Alvey Richards]
This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.
8.
[Bookplate for Henry Forbes Angus by Jack Macdonald]
An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.
9.
[Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie]
Textual and pictorial bookplate created using burgundy ink on ivory paper. The image and text are within a thin frame ; at the top centre is a standing dragon holding a ball below which is a banner.
10.
[Bookplate for Roderick J. Barman by Margaret Noble]
This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
11.
[Bookplate for Mary Katharine Black by Thoreau MacDonald]
This pictorial engraving was created using black ink on white paper and portrays an island with two wind-swept trees with a rising/setting sun on the horizon.
12.
[Bookplate for Joan Mary Bloxam]
Pictorial bookplate created using black ink on thick, ivory paper. A single tree is portrayed within a thin border of two lines.
13.
[Bookplate for Steve Borden by Larry Reynolds]
This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature.
14.
[Bookplate for John Peter Braselmann]
Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners.
15.
[Bookplate for David L. G. Dryden]
A yellow frame surrounds the central image. The central image is of a young man in medieval armour leading a white horse to the left of the image. The image is in a forest setting with several trees observable. Two notable trees are standing, one on the left, and one on the right side of the man providing a frame for the image. The entire scene is evocative of a Pre-Raphaelite painting.
16.
[Bookplate by Eiichi Hirose]
The picture is of a stone pillar amongst a garden with a yellow frame outline. The pillar has several symbols which represent the same image found on a 5 yen coin. There is a hole in the centre which holds water for a person to drink from using the yellow bamboo cup sitting on the top of the pillar.
17.
[Bookplate for J. W. Eastham]
This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat.
18.
[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]
This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].
19.
[Bookplate for Rozsnyay and J. E. Horvath]
Grey ink on buff paper. This bookplate depicts a monkey holding with feet and hands the scuplture of standing monkey. The figures in this high contrast image are created by large blank areas and using the grey inked areas for the background and dark details. Two block of text, also in negative, are located at the top and bottom of the image.
20.
[Bookplate for John Keeling]
This heraldic bookplate consists of a Chippendale-styled escutcheon, sable (black), charged with a lion rampant. The lion holds an inescutcheon, argent (silver), charged with a cross fitchy. The escutcheon is crested by a demi-lion atop a mural coronet, again holding an inescutcheon, argent, charged with a cross fitchy. The escutcheon is bordered by a decorative floral design, and at dexter, a dragon is positioned at the upper half. Flowers are present on the opposite side. Below the escutcheon, but within the floral design, the Latin motto is featured in a banner.
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