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results 1-20 of 31 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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1. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

2. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

3. [Bookplate for Margarethe Schwarzwald and J. E. Horvath] [Bookplate for Margarethe Schwarzwald and J. E. Horvath] This beautiful bookplate in black ink on thin brown paper presents us with a view of a village and a hill top castle through an opening in the trees. In the foreground is a stack of books, with one book open facing the observer, and a vase filled with flowers.

4. [Bookplate for M. J. Freie] [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes.

5. [Bookplate for John Ker Davis] [Bookplate for John Ker Davis] The main image is framed by a single black fillet and is bordered by two banners, one at the top and one at the bottom. The central image is of a two masted ship sailing towards the right of the picture. There are a number of clouds in the background and rolling waves below the ship. There are two people visible on board the ship, one is holding up a telescope also facing to the right.

6. [Bookplate for Familie Mezler and Michael B. Kunze] [Bookplate for Familie Mezler and Michael B. Kunze] In black ink, an unusual heraldic symbol with a helmet in the centre of the image. Protruding from the top of the helm are what appear to be two horns. Between the horns is the figure of a woman whose hands grasp the horns. From both side of the helm, and from below, flows extensive mantling flowing out and down framing another image of a woman, identical to the first, except that her skirt is now visible.

7. [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Two young figures act as supporters ; the one on the left holds an open book while gazing towards the sinister supporter. The shield and figures rest on an ornate panel with the ownership text. A heavy curtain is draped on top and to the left of the shield and behind it a book case is visible. At the bottom of the bookplate it is noted that the image is a reproduction of an old engraving (Nach einem alten Stich).

8. [Bookplate for Lord Francis Gray by Daniel Lizars and William Home] [Bookplate for Lord Francis Gray by Daniel Lizars and William Home] This heraldic bookplate consists of an escutcheon, gules (red), charged with a lion rampant, with an engrailed bordure, argent (silver). The shield is supported by a lion rampant guardant on each site. Above the shield is a crown denoting baron status, and directly above the crown is a crest of an anchor upon a straight wreath. Immediately below the shield is another crest, a swan, also upon a straight wreath. Extending out from the bottom of the shield are two banners, with bookplate test within. The bookplate is bordered by an elaborate leaf design.

9. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.

10. [Bookplate for Charles Gery Milnes] [Bookplate for Charles Gery Milnes] In black ink, this bookplate consists of an escutcheon divided quarterly, and contains an inescutcheon at the fess point. The first and fourth quadrants of the escutcheon, azure (blue), contain a chevron, argent (silver), charged with three millrinds. The first quadrant differs from the fourth in that only two millrinds are visible, as one is covered by the inescutcheon, and it contains a canton at the dexter chief, or (gold), charged with a trefoil, sable (black). The second and third quadrants, gules (red), are charged with three lion heads, two over one, and contain a fess, argent and engrailed, charged with two escallopes, azure. The inescutcheon, gules, contains two bars, argent, charged with three mascles (open faced lozenge) each, gules ; and a canton at the dexter chief, or, charged with a roundlet, hurts (azure). The escutcheon's crest is a straight wreath, topped by a ducal coronet and an elephants head, dexter and erased, with tusks.

11. [Bookplate for Canadian School of Missions] [Bookplate for Canadian School of Missions] Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame.

12. [Bookplate for Norman M. Keith by W. W. A.] [Bookplate for Norman M. Keith by W. W. A.] This bookplate's design features a lakeside camping scene with mountains visible in the distance. It is framed by Scottish thistles. Above the scene are three logos representing the Royal Army Medical Corps, the University of Toronto, and Johns Hopkins University. A globe and stack of books are featured in the lower left corner and a small escutcheon of the University of Toronto sits at the bottom centre of the design.

13. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling.

14. [Bookplate for Norman H. Friedman by A. G. Racey] [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog.

15. [Bookplate for Charles Fyfe by R. P.] [Bookplate for Charles Fyfe by R. P.] Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background.

16. [Bookplate for F. H. Herrington by L. C. D.] [Bookplate for F. H. Herrington by L. C. D.] This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.

17. [Bookplate for Lorne A. Pierce by Marjorie Sankey] [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand.

18. [Bookplate for Eugene Charters and Stella Charters] [Bookplate for Eugene Charters and Stella Charters] In black ink. This bookplate displays the silhouette of a large galleon in full sail. Below the ship is written ex-libris and the names of the originators. The nautical motif and text are framed by a flowering vine border. In each corner appears a small framed image including, an evergreen, an open-book, a seated dog and a pair of theatrical masks.

19. [Bookplate by Herbert Raine] [Bookplate by Herbert Raine] In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses.

20. [Bookplate for William R. Ridell] [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.
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