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21.
[Bookplate for George E. Longley by Francis Adams Sc.]
Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font.
22.
[Bookplate for B. E. Hutchinson]
Black ink on white paper. The bookplate has two sections. The first section has thick borders on the left and right with white outlines. The top border is like a shelf with a slightly shorter, darker section below a longer, paler section. Within the frame is a picture of a house built on the shore of a river. The river is foregrounded at the bottom of the frame. The cliff is rocky with a few trees on it. The house is large and has a brick chimney on the right side. Behind the house are several taller trees. Below that image is a shelf-like structure. The top and bottom shelves are supported by Grecian-style columns. A row of books is shelved in between the two columns. The bookplate owner’s name is printed in black, capitalized, serif font. Each letter is printed on a spine of a book so the name is off kilter when the books are slanted. In front of the shelved books is an open book propped up on a closed book.
23.
[Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats]
Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
24.
[Bookplate for John George Hodgins]
Black ink on white paper. The crest features a displayed black bird on a crest-wreath. At the top left of the bird, next to the tip of its wing, is a small radiating sun with a face in the middle. There is an esquire’s helm surrounded by dark, feathery mantling. The border of the shield is similarly elaborate. The shield is argent and charged with an argent cross with thin black border around each rectangular section. The shield is also charged with five black flowers that have five round petals and a circular black center. There is a flower in each corner of the shield and one in the center of the cross with a thin, black, square border. Below the shield, the motto is printed on a ribbon with curling, darkened ends. The motto is written in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in black, sentence case, Gothic font.
25.
[Bookplate for John Jenkins D.D.]
Black ink on white paper. The crest features a white lion passant reguardant with black spots standing on the top portion of a stone castle tower. The tower sits on a crest-wreath. The shield is divided per cross. Around the shield is a curling border with leafy adornments and spirals on the sides. The border is thicker on the left, right, and bottom portion. The border does not cover the entire shield ; there are gaps at the top left and right corners and at the center of the base. The top left and bottom right sections of the shield are identical. They have a black and white striped background and are charged with a white chevron decorated with black dots. They are also charged with three white fleur-de-lis, two over one around the chevron. The top right and bottom left sections of the shield are also identical. They have a white background with black dots and are charged with a black lion rampant reguardant. Below the shield, the motto is printed on a ribbon with leafy ends that match the shield’s decorative border. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed underneath the motto in thin, sentence-case, black, cursive font.
26.
[Bookplate for J. W. Longley by Francis Adams Sc.]
Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.
27.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
28.
[Bookplate]
Black on beige paper, a decorative border surrounds text. Manuscript notation in purple ink in upper right.
29.
[Bookplate]
Black on light gray paper, a decorative border surrounds text.
30.
[Bookplate]
Black on light gray paper, a decorative border surrounds text. Handwritten text at top and bottom.
31.
[Bookplate for Phileas Vercheres de Boucherville]
Black text on blue paper, with a brown discoloration on the left side.
32.
[Bookplate for K. M. Fenwick]
Blue ink on cream paper. A printed ribbon border houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.
33.
[Bookplate for Howard Murray]
In black ink on cream coloured paper. This bookplate depicts a sitting room with two chairs and a window looking out on trees, rolling hills and a body of water. A scroll at the base containing the originator's name is flanked by a pile of books.
34.
[Bookplate for W. Gordon Mills]
In black ink on cream paper. This image depicts a nighttime scene with a single star in the sky and two evergreen trees silhouetted in front of a lake and mountains. Superimposed upon this landscape, a lyre sits next to a scroll which reads "Sonata Apassionata" (sic) and has notes from the score. The initial "M" is in the lower right hand corner as a possible signature.
35.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
36.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
37.
[Bookplate for Ecole polytechnique]
In black ink on thick pink paper with visible laid lines. Image includes a rectangular decorative border consisting of straight lines at the sides and more elaborate patterns in the corners surrounding 20 lines of text.
38.
[Bookplate for National Prison Reform Association]
In black ink on white paper. Image includes a rectangular decorative border in a repetitive pattern. Within the border all of the text is in a capitalized sans serif font, except the owner's name, which consists of upper and lower case letters in a serif font.
39.
[Bookplate for Arthur Phelips Hoskyns]
In black ink, this bookplate contains a crest with dexter rooster's head, erased or (gold), comb and wattle gules (red), and three roundlets pellet (black) on neck.
40.
[Bookplate for Rob. S. Atcheson]
In black ink, this bookplate contains a rooster atop a horn, which is itself atop a straight wreath. The rooster is a common heraldic symbol that stands for vigilence. Above the rooster is a banner containing the latin motto.
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