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	Search results for Which    Refine your search Creator 7 () 7 () 4 () 3 () 3 () Show more... results 161-180 of 397 item(s)  page 9 of 20 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 161. [Bookplate for George H. Fensom by Walter Lohse] Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window. 162. [Bookplate for George Murray Humphry] Bookplate design consists of text with lined border surrounding. 163. [Bookplate for George Roe Lockwood] Black ink on white paper. The image depicts two figures in a living room or study. The young woman wears an off-the-shoulder dress with a shawl and is leaning toward the older male with a fan in hand. The older male sits with his feet tucked up in the chair and an open book in his lap. 164. [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials. 165. [Bookplate for Georgian Club and Michael B. Kunze by Beatrice J. Ennie] This image portrays, in black ink, on white paper, a young woman, clothed in Victorian fashion including headpiece. She is reading a book which is resting on the back of a chair. Upon the seat of the chair are two closed books. To the woman's left is a grandfather clock, and on the floor, at the base of the clock are two more closed books. The entire image, including the text, is bordered by a picture frame. 166. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 167. [Bookplate for Gerald Lynham Porte Grant-Suttie] In black ink on white paper, this bookplate consists of a shield Azure (blue), three eagles displayed two over one, a chief, Or (gold), a demi-lion rampant queue fourche. Issuing out of a Crown Vallary, the crest of a demi-lion rampant queue fourche and holding in the forepaws a star of seven points. Below the escutcheon, a banner bears the motto 'VINCIT QUI POSSE CREDIT' [Latin = He who believes that he can, succeeds]. 168. [Bookplate for Gladys Granger] This heraldic bookplate is a much stylized form which echoes common features of a traditional heraldic shield. The escutcheon is an oblong round shape in Chippendale style, gules (red), charged with a pomegranate. Upon the escutcheon is a crest of an arm embowed fessways, clutching three stocks of wheat or corn. Surrounding the escutcheon is an ornate border, surrounded by leaves and flowers. Below the escutcheon is a banner styled the same way as the escutcheon, with owner's name within. 169. [Bookplate for Gladys Lillian Boyd] In black ink. A partial globe resting on clouds surrounded by books and paper. Above is an old printing press on which is perched a bird with a half circle of sun rays surrounding it. 170. [Bookplate for Grace Svenningson] In black ink on white paper, two columns frame the sides of the bookplate, with a banner stretched behind them at the top. Thick vines are hanging from the banner, and a few are wrapped sparsely around the columns as well. There is an urn on the bottom left with some gentle hills in the background. The name is printed in red ink at the bottom of the plate. 171. [Bookplate for H. P.] Pictorial bookplate created with black ink on white paper. At the centre of the bookplate is the monogram HP behind which text is written. A wreathe surrounds the text. 172. [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one. 173. [Bookplate for Harvey Reginald MacMillan] Heraldic bookplate. At the centre of the bookplate is a wreath out of which two arms are raised gripping a sword. Below the wreath is a ribbon with the Latin motto: "Miseris succurrere disco" (I learn how to help the wretched). Surrounding the image is a black frame with small white triangles. 174. [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag. 175. [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume. 176. [Bookplate for Henry Augustus Sims] In red ink on white paper, a border that contains red and black text and black decorative designs. Within the border, in black ink, there is an angled Escutcheon parted per pale. The dexter side is gules (red), containing a chevronel or (gold) with two mullets of six points, pierced, in chief, and one battle axe in base. The sinister side is quartered per cross by a cross argent (silver), with the dexter chief and sinister base quarters in azure (blue) and the sinister chief and dexter base quarters in gules. In each quarter save the sinister base there is a pheon proper. Above the Esctucheon, the mantling is topped by a wreath, from which a lion emerges, holding a battle axe. Below the Escutcheon is a banner bearing the motto, 'Ferio Tego.'. 177. [Bookplate for Henry Forbes Angus by Jack Macdonald] An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M. 178. [Bookplate for Henry James Grasett] Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends. 179. [Bookplate for Henry Lloyd] This heraldic bookplate consists of an escutcheon, gules (red), with a bordure bezant (or, gold) engrailed. The shield is charged with a lion rampant, or. Above the escutcheon is a straight wreath, charged with a 'pelican in her piety' (a pelican feeding her young). Below the straight wreath hangs a banded scarf, as well as a garland of leaves, which hang about the escutcheon. Below the escutcheon are two branches tied together which frame the lower half of the crest. 180. [Bookplate for Henry Neville Gladstone] This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin. select all : clear all : add to favorites results 161-180 of 397 item(s)  page 9 of 20 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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