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1.
[Bookplate by Eiichi Hirose]
A black outlined fan shaped segway, with the larger side facing to the left contains the central image of the bookplate. The central image is of a simple blue outline of Mt. Fuji, below which is a yellow baby chick (chicken) flapping its wings on a green ground.
2.
[Bookplate]
A coat of arms with mantling: Quarterly, 1st and 4th azure, 2 bars dancetty or, in chief 3 bezants ; 2nd and 3rd azure, a fess engrailed argent, surmounted by another, not engrailed, gules, charged with 3 roses argent, between as many swans, proper. Above the coat of arms are two crests: left is a swan gorged, wings displayed and inverted, on a wreath ; right is a bull at gaze, gorged and on a wreath. Below the coat of arms is a ribbon containing the Latin motto.
3.
[Bookplate for C. J. Sisson]
A sun burst with a face. Profile of a black crow, wings stretched out, and beak apart perched on a ball with the name of the bookplate owner, and a ribbon with MORTUI RESURGENT.
4.
[Bookplate for Robert Smart]
An armorial bookplate printed in black ink on white paper. A bird displayed, wings inverted, couped with thistle in beak, with a crest wreath, argent and vert (silver and green). Beneath that is a shield, party per pale, erminois and argent. The dexter side, erminois, per chevron azure (blue) with three chess rooks, gules (red). The dexter side, argent, per fess, gules, with two diamonds, sable (black).
5.
[Bookplate for Paul Hahn by J. M.]
Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border.
6.
[Bookplate for Hôpital Gènèral Québec]
Black ink on cream paper. Border made of thin solid lines. Inside the solid black line border is a thin dotted line border. The corners feature stylized decorations that are wing-like with circular additions on three sides. Each decoration also features a full or half-circle element facing the center of the bookplate. The name of the hospital is written in larger, capitalized, bold font, with the location being in slightly smaller font. There is a squiggled line beneath the hospital name. Below the line are three areas with dotted lines to be filled in. Names of the fields are written in italicized sentence case font. One handwritten note in the number section.
7.
[Bookplate for A. C. Jones by Clare Victor Dwiggins]
Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.
8.
[Bookplate for William Swift Keyser]
Black ink on cream paper. The crest features an esquire helm with elaborate mantling extending out along both sides of the bookplate. Extended, feathery wings rise out of the top of the helm. The helm sites directly on the shield, which is divided per pale and per rounded chevron. The three parts of the shield are different colour. The upper left portion is argent, the upper right side portion has vertical sable lines, and the rounded bottom portion has horizontal sable lines. Sitting atop the rounded bottom portion is a king. The man is sitting cross-legged and holds a sword in his left hand and a rounded vessel with a cross on top in his right hand. The man is wearing a crown and a cape. He has long hair and a small beard. Below the shield, the bookplate owner’s name is printed on a curling ribbon in capitalized, bold, serif font. Underneath the ribbon, text is printed in sentence case, thin, cursive font followed by a line of small black dots. There is a black ink smudge on the bottom right corner of the bookplate.
9.
[Bookplate for Hugel]
Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.
10.
[Bookplate for Charles Carroll]
Bookplate consists of an escutcheon, in a scalloped chippendale style, charged with two lions rampant, between which is a sword. Escutcheon is charged with a straight wreath and an eagle with wings elevated. Cherub also stands beside the escutcheon.
11.
[Bookplate for Aubrey F. Roberts by Bank B. Gordon]
Executed in brown ink on white paper, this bookplate depicts a picture frame in which stand several books with their spines facing outwards. In front of these is an open book leaning against a globe of the world. In the background of the frame is a stairway ascending a steep hill upon which is a heavily turreted castle and trees. Resting on top of the frame is a vase or urn containing an abundance of leaves, and it is supported by a mantle fronted with wings.
12.
[Bookplate for Phyllis Pearce]
Executed with black ink on white paper, this bookplate depicts a swan with wings spread, as well as two small cygnets in the lower left corner.
13.
[Bookplate for Michael B. Kunze]
Heraldic bookplate in black ink. Two closed helms in profile, appropriated to esquires and gentlemen. The dexter helm is crested by a pair of wings erect with minimal mantling, and faces sinister. The sinister helm is crested by two crowned swan heads with minimal mantling, and faces dexter. The escutcheon is an honourable ordinary, represented in argent with an azure bend. The bend is charged with three wings erect. Contributor listed as Carro.
14.
[Bookplate for George R. Maxwell]
Heraldic bookplate. Two rampant stags support an argent shield. At the centre of the shield is a two-headed black eagle with its wings and legs spread and its heads turned to opposite sides. On the chest of the eagle is a square with a black X. "Reviresco" I flourish again.
15.
[Bookplate for Leida Eerme and A. Lavdovsky by A. Lee]
In black and blue ink, an image of a butterfly in the centre, and a flower in the bottom right corner. Curving black lines border the four corners. Text is written vertically on the wings of the butterfly.
16.
[Bookplate for George Short by R. Silvester]
In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806.
17.
[Bookplate for Lionel Damer]
In black ink, this bookplate consists of an escutcheon, divided barry of six pieces, nebule, argent (silver) and gules (red), and a bend, engrailed, azure (blue). At the precise middle chief is a crescent, the symbol of the second son. The escutcheon also contains an inescutcheon, divided per cross. The first quadrant, argent, contains an unknown symbol, possibly a garbe, sable (black). The fourth quadrant, also argent, contains two of the same symbol. The second quadrant, divided per fess, or (gold) and azure (blue), contains two swans with wings displayed. The third quadrant is the same, except it contains only a single swan. The crest is an oval frame containing a talbot's head in a crown. Above the crest is floral mantling which extends down both sides of the escutcheon. Below the escutcheon is a banner containing the Latin motto.
18.
[Bookplate for William Grattan]
In black ink, this bookplate consists of an escutcheon, quartered, within an azure (blue) bordure. The first and fourth quadrants are or (gold), and the second and third quadrants gules (red). At the precise middle chief is a crescent, a heraldic symbol representing the second son. The crest consists of a curved wreath and a falcon (or hawk) rising, wings addorsed and inverted, perched on what is possibly a falconers' arm sheath. The falcon's legs are jessed, and the dexter is raised, holding a sceptre. Below the escutcheon is a banner containing the Latin motto. The escutcheon, crest, and banner are surrounded by an oval frame, gules, with a decorative border.
19.
[Bookplate for George Grey]
In black ink, this bookplate contains an escutcheon with a barry of six pieces, argent (silver) and azure (blue), and a bend gules (red). On the bend are three roundlets bezant (gold). A diadem crest containing a swan rising with wings addorsed and elevated, and a trefoil on its breast. Below the escutcheon is a banner containing the French motto.
20.
[Bookplate for Thomas Jenings]
In black ink. Argent, a chevron, gules (red), three cages two over one. Gryphon, couped, atop straight crest wreath, wings addorsed and elevated, cage hanging from open beak. On the dexter and sinister sides, two figures, nude, outside hands hold flowered mantling, inside hands point to chevron. Below the escutcheon is a banner containing the Latin motto.
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