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results 21-40 of 56 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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21. [Bookplate for David L. G. Dryden] [Bookplate for David L. G. Dryden] A yellow frame surrounds the central image. The central image is of a young man in medieval armour leading a white horse to the left of the image. The image is in a forest setting with several trees observable. Two notable trees are standing, one on the left, and one on the right side of the man providing a frame for the image. The entire scene is evocative of a Pre-Raphaelite painting.

22. [Bookplate for Douglas Battersby] [Bookplate for Douglas Battersby] In black ink on yellow paper, the bookplate consists of an ornate decorative border surrounding the text. The text is a Gothic typeface, except for the city. There are significant stains around the edges of the bookplate.

23. [Bookplate for Edsel Fort Memorial Library] [Bookplate for Edsel Fort Memorial Library] Colour ink on white paper. Coat of arms at centre of plate. Shield has a red (gules) field. Three escalops on yellow (or). Crest in an eagle displayed. Text has also been rubber stamped on and written in pencil.

24. [Bookplate for Eiichi Hirose by J. Lee] [Bookplate for Eiichi Hirose by J. Lee] The central image, on a square yellow background, is of a red four-winged butterfly sitting at the base of a yellow flower. The butterfly is located at the left side of the image.

25. [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.

26. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.

27. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] Colour woodblock print in two blocks. In yellow and blue ink. Bordered image of a nude woman. Bookplate text above.

28. [Bookplate for Frederick Starr] [Bookplate for Frederick Starr] Colour woodblock print in four blocks. In black, flesh pink, mustard yellow, and deep mustard yellow ink. Image of the midsection of a woman, nude. Bookplate text at top. Name or initials of artist at bottom right.

29. [Bookplate for George H. Fensom by Walter Lohse] [Bookplate for George H. Fensom by Walter Lohse] Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window.

30. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

31. [Bookplate for Gertrude Elliott by Rustcraft USA] [Bookplate for Gertrude Elliott by Rustcraft USA] Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name.

32. [Bookplate for Hervé Grignon] [Bookplate for Hervé Grignon] Text centered at the top of the bookplate, printed in black ink, single font, on yellow paper.

33. [Bookplate for Hill's Lending Library] [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.

34. [Bookplate for Joseph Berreth and Michael B. Kunze] [Bookplate for Joseph Berreth and Michael B. Kunze] In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image.

35. [Bookplate for Joseph-Olivier Archambault] [Bookplate for Joseph-Olivier Archambault] In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text.

36. [Bookplate for Karl Heinz Orbach and Michael B. Kunze by F. W.] [Bookplate for Karl Heinz Orbach and Michael B. Kunze by F. W.] Brown ink on yellow paper. Nude woman with a cup in her left hand stands on top of a skull which rests on a book. Initials in the background. There is a flower watermark in the paper.

37. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In black and yellow ink, image of abstract human figure reading a book.

38. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.

39. [Bookplate for Louis N. Dumouchel] [Bookplate for Louis N. Dumouchel] Black ink on yellow paper in the shape of a rectangle with clipped corners. It features a border around the text. A number is handwritten in black ink at the top.

40. [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.
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results 21-40 of 56 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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