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1.
[Bookseller's Tickets for Samuel Carsley]
1) In dark blue ink on white paper, the bookseller's ticket consists of a field of dark blue ink with a thin white / reserved-out border surrounding white text.
2) In gold metallic ink on red glossy paper, the bookseller's ticket consists of a simple gold border surrounding gold text.
2.
[Bookseller's Ticket for James Bain]
In black ink on white paper, the bookseller's ticket consists of a serpentine black border with decorative elements in the four corners surrounding black text in roman and italic type.
3.
[Bookplate for William C. Hawes by Alfred Adlard]
In black ink on white paper a large building is shown surrounded by a fence, smaller buildings, and trees.
4.
[Bookplate for W. J. M. Jones]
The book plate owner's name and city are printed in black ink on cream paper in one script-style font.
5.
[Bookplate for Victoria University]
Black ink on tan paper. Victoria University coat of arms and motto at top. Text covers rest of page.
6.
[Bookplate for V. D. H. K. Rozsnyay and J. E. Horvath by S. J.]
Black ink on tan paper. This bookplate portrays a young nude boy holding a lily stem.
7.
[Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath]
The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Two young figures act as supporters ; the one on the left holds an open book while gazing towards the sinister supporter. The shield and figures rest on an ornate panel with the ownership text. A heavy curtain is draped on top and to the left of the shield and behind it a book case is visible. At the bottom of the bookplate it is noted that the image is a reproduction of an old engraving (Nach einem alten Stich).
8.
[Bookplate for Stanley C. Bagg]
This bookplate consists of black gothic text surrounded by an elaborate border, all printed on yellow paper.
9.
[Bookplate for National Gallery of Canada Library by Alfred H. Howard]
Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.
10.
[Bookplate for Montreal Library for Boys and Girls]
Dark brown ink on light brown paper. An image of a young boy and girl in a library with many books open and on the floor. The young girl reaches up to pull down a book from the top shelf while the boy sits cross-legged on the floor reading.
11.
[Bookplate for Montreal Children's Library]
Dark brown ink on brown paper. An image of a young boy and girl in a library with many books open and on the floor. The young girl reaches up to pull down a book from the top shelf while the boy sits cross-legged on the floor reading.
12.
[Bookplate for Margarete Voigt and Michael B. Kunze]
In black ink, an image of a young grecian woman wearing a flowing, pleated gown. In her arms, she holds a vase into which pours water from a hole in a wall. The wall is elaborately decorated, and contains what appears to be the image of an owl in the lower left corner. A heavy and elaborate frame borders the entire image.
13.
[Bookplate for L’Institut Canadien]
Printed in black ink, a thick decorative border surrounds the text.
14.
[Bookplate for John Ross Robertson]
Geometric/art nouveau trim. The traditional Masonic symbol of a rounded square and compass against a rectangle.
15.
[Bookplate for James John Joicey]
This bookplate is printed on light brown paper with brown ink. It consists of an escutcheon argent (silver), and three diamonds in pale between two endorses in a crosshatch pattern. The escutcheon is charged with a pick-axe at both dexter and sinister. Above the escutcheon is a helmet, positioned at three-quarter profile, indicating the status of peer. Upon the helmet is a straight wreath, charged with a young man holding a pick-axe and lantern. Radiating from the wreath is elaborate mantling. Below the escutcheon is a banner, with Latin motto within. Entire crest is contained within a border, with name of bookplate owner at bottom.
16.
[Bookplate for James Hazen Hyde]
The bookplate central image is of several interwoven banners with flowers and leaves hanging from them in three cascades. The owner was an enormous Francophone who lived around the turn of the 20th century.
17.
[Bookplate for J. W. Longley by Francis Adams Sc.]
Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.
18.
[Bookplate for J. Harry Smith by William Walker Alexander]
Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.
19.
[Bookplate for Imperial Cotton Co. by R&M]
Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co.
20.
[Bookplate for Hillfield School]
In green ink. This textual print consists of letterpress type and handwritten script. There is a straight wreath crested by a boar's head, above a banner with Latin motto, at the top of the print.
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