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results 121-140 of 212 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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 Image: Title: Description:

121. [Bookplate for Alice Ravenhill] [Bookplate for Alice Ravenhill] Heraldic bookplate executed in black ink on white paper. The bookplate consists of a simple shield above which is a ribbon with the motto: "Candide et Constanter" (fairly and firmly).

122. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections.

123. [Bookplate for University of British Columbia Library] [Bookplate for University of British Columbia Library] Green ink on green paper. Text appears above and below picture. Picture is a wheel with other symbols superimposed and an open book below.

124. [Bookplate for John Ross Robertson] [Bookplate for John Ross Robertson] Geometric/art nouveau trim. The traditional Masonic symbol of a rounded square and compass against a rectangle.

125. [Bookplate for J. W. Dunbar Moodie] [Bookplate for J. W. Dunbar Moodie] Escutcheon divided per quarterly. Dexter chief and sinister base display three ships in full sail on azure (blue), below a tower over background gules (red). Sinister chief and dexter base display three arrow heads, argent (silver) on an azure base, with a hunting horn above a chevron, ermine. Above the escutcheon is a vizored helm with a naval coronet ; above that is a lion, passant guardant, holding a flag. The motto is inscribed in a scroll above the lion.

126. [Bookplate by G. P. V. Akrigg] [Bookplate by G. P. V. Akrigg] Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."

127. [Bookplate for James Bell] [Bookplate for James Bell] Centered text in black ink, with three fonts.

128. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.

129. [Bookplate for Hart House Library by J. E. H. MacDonald] [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.

130. [Bookplate for Charles Fyfe by R. P.] [Bookplate for Charles Fyfe by R. P.] Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background.

131. [Bookplate for David Bond and Elizabeth Bond] [Bookplate for David Bond and Elizabeth Bond] Bookplate design features an eagle in flight in foreground, with compass in background. Bookplate owner names at base.

132. [Bookplate for David Bond] [Bookplate for David Bond] Bookplate design features a woodland scene, of a brook and foliage at foreground and trees at back. Bookplate text contained within banner at top.

133. [Bookbinder's Ticket for G.A. Roedde Ltd.] [Bookbinder's Ticket for G.A. Roedde Ltd.] Blue ink on white paper. Decorative border surrounds text.

134. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal "Le Nord"] [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font.

135. [Bookplate for Edward Murphy] [Bookplate for Edward Murphy] Blazon is divided per quarter and per fess. Dexter chief and sinister base show a lion rampant on argent (silver) background. Sinister chief and dexter base show a lion rampant on gules (red). Fess shows three garbs over sable (black) background. Above the blazon is a straight wreath, charged with a lion rampant leaning on a garb. The motto is on a scroll below the blazon.

136. [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] [Bookplate for Marguerite H. Powter by Clare Victor Dwiggins] Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.

137. [Bookplate for Ruth Goodell by Alexander Scott Carter] [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.

138. [Bookplate for Louis N. Dumouchel] [Bookplate for Louis N. Dumouchel] Black ink on yellow paper in the shape of a rectangle with clipped corners. It features a border around the text. A number is handwritten in black ink at the top.

139. [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.

140. [Bookplate for B. Hallé by L. P.] [Bookplate for B. Hallé by L. P.] Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
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results 121-140 of 212 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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