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CONTENTdm Collection
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81.
[Bookplate for John Caton Thompson]
In black ink on white paper, this bookplate consists of a shield parted per pale, baron and femme, three coats ; first, or, a bordure, argent, a lion rampant ; second, parted per fess, sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two ; in base (same as second) sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two. Above a straight wreath, the crest of a lion rampant, ducally gorged. Below the shield, laurel sprigs. At the bottom of the ex libris appears the name 'John Caton Thompson.'.
82.
[Bookplate for John Leveson Gower]
This heraldic bookplate consists of a escutcheon, divided per cross or quarterly. Quarters one and four are argent (silver) with bars, gules (red) and charged with a cross patonce, sable (black). Quarters two and three are azure (blue) charged with leaves, two over one. The escutcheon is charged with an inescutcheon, argent, charged with a human hand, gules, at centre, which is a symbol of knighthood or baronet. Upon the escutcheon is a grated helmet positioned three-quartered, indicating peer (duke, baron, marquess, earl) status. Upon the helmet is a crest of a mountain lion or wolf, upon a straight wreath. The escutcheon is surrounded by elaborate mantling, and beneath the escutcheon is the bookplate text within an embellished border.
83.
[Bookplate for John T. Metcalfe]
In black ink, this bookplate consists of a monogram within an oval bordure, which contains the text and two solid cross formy.
84.
[Bookplate for Joseph-Olivier Archambault]
In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text.
85.
[Bookplate for Kennedy McIlwraith]
Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.
86.
[Bookplate for Les Religieuses de Sœurs des Saints Noms de Jésus et Marie]
The pre-formatted plate for awards is printed in black ink and multiple fonts, and filled in with a single hand. Above the text sits a cross entwined in daffodils with the motto of the religious order on scrolls above and below the cross, all encircled with a border. The text and insignia are enclosed in a thick, detailed decorative border.
87.
[Bookplate for Lockwood]
This bookplate's design features an escutcheon, argent (silver) and sable (black), charged with three martlets. Another martlet rests above the escutcheon on the stump of an oak tree, erased and the Lockwood family motto appears in a banner below.
88.
[Bookplate for London Public Library and Art Museum]
This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.
89.
[Bookplate for Marcus Brown Westhead]
In black ink on white paper, this bookplate consists of a shield quartered. First and fourth quarter, argent, two barrulets dancette sable, between three Saracens' heads couped at the shoulders proper, wreathed round the temples, of the first and second. Second and third quarter, azure, on a fesse argent, between three martlets in chief, and the Roman fasces erect surmounting two swords in saltire, and encircled by a chaplet in base or, three chess-rooks sable. Center inescutcheon, party per chevron or and azure, in chief a mullet of six points lies between two crosses pattée of the last, and in base the front elevation of a chapel argent, the whole being charged with a crescent for difference. First crest, on a wreath of the colors, within a fetterlock or, a Saracen's head couped proper, wreathed round the temples argent and sable. Second crest, on a wreath of the colours, a demi-eagle displayed with two heads azure, charged on the breast with the fasces, swords, and chaplet, as in the arms. The escutcheon is surrounded by mantling and below a banner bears the motto 'ORA ET LABORA.'.
90.
[Bookplate for Margaret M. Howard by Leslie Victor Smith]
Black ink on textured cream colored paper. The image depicts a tall ship at sea with all sails unfurled, listing to the right in a swell of water. The ship is contained within a circular border containing four quatrefoil points. Above, the phrase ‘Ex Libris’ is displayed within a scrolled banner across the top of the bookplate and the circle is framed by hanging garlands of varied types of flowers and ribbons. Below, a shelf depicts a row of bound books that part at the middle, with a blank sheet of paper and a feather quill resting in an inkwell. Below this, ‘Margaret M. Howard’ is written within a large scroll banner that is framed by thorny vines of roses.
91.
[Bookplate for Montreal & District Brotherhood Federation, W. Bourdeu, S James United Brotherhood, and T. B. Macaulay]
Black ink on white paper. A border consisting of a thick black line with thinner black lines surrounds the bookplate. At the top of the bookplate, there is a circular decoration with a black border. Inside the border is a plain section with rounded edges on the outer rim. Inside that section is a thick black circle with text printed in capitalized, sans serif white font. A thin white border separates the thick black section from an image of a black and white globe with cross sections. In the middle of the globe, a circle shows two hands with black sleeves shaking. Above the hands is a sun with beams. Below the hands, letters are printed in capitalized, sans serif block letters with a black border. Underneath the circular design, font is printed in capitalized, serif, black, font. On the next line is a dotted line. Below the dotted line is the same font in a smaller size followed by another dotted line. The same font, but larger, is printed on the next line. In the next line the font is smaller and then larger and smaller again in the subsequent two lines. Below these lines, text is printed in bold, black, small sans serif font. Underneath this line, text is printed in small, sentence case, black, serif font and is followed by a dotted line.
92.
[Bookplate for Montreal Catholic School Commission]
In black ink. A decorative oval border, inside border contains the name of the institution. An escutcheon, parted per cross. First quarter, azure [blue] with crossed keys. Second quarter, argent [white] with two fleur-de-lis. Third quarter, gules [red] with an open book. Fourth quarter, argent, a saltier, gules, fimbriated, argent. Inescutcheon, argent, a mullet, argent. Leafy mantling above the escutcheon, a banner below.
93.
[Bookplate for Montreal Theological Training College]
Printed in black ink, a very ornate border surrounds the text.
94.
[Bookplate for Nancy Stuart Reid]
In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'.
95.
[Bookplate for National Gallery of Canada Library by Alfred H. Howard]
Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.
96.
[Bookplate for New Brunswick Legislative Library]
A slim rectangular border surrounds floral mantling. The mantling surrounds a shield with a lymphad over water on a chief, with a lion passant guardant over a background gules (red). Above the shield is a crown.
97.
[Bookplate for Nicholas Garry]
Printed in black ink on off-white paper. In the centre is a family shield, decorated with with a chevron pattern in solid black and white ground with a spotted pattern. A ‘V’ shape in the centre of the shield intercepts and counterchanges the chevron colours. Above this is an extended arm in armor holding a circular disc that repeats the pattern on the shield.
98.
[Bookplate for P. Gagnon]
Black ink on cream paper. Crest features a beaver lying on a crest-wreath. There are maple leaf branches extending from both sides of the beaver. The beaver is surrounded by a half-circle border with the motto in black, capitalized sans-serif font written across the arc. The shield is divided per fess, with the top half being further divided per pale and the upper left hand portion is divided into three horizontal sections. The topmost left hand section is argent with sable dots charged with two fleurs-de-lis. The middle left hand section is argent with sable stripes charged with a lion passant. The bottom left hand section is argent with sable dots charged with three maple leaves connected at the stem. The upper right hand side is argent charged with two pieces of equipment, one atop the other, and a pair of scissors below. The equipment has a small curved bottom with two long, curving handles on top with a spike pointing through the lower end of the handles. Below the top half is a thin black banner with white capitalized sans-serif text. Below the banner is an image of a natural forest and coastal landscape with a ship with two tall masts in the water. On the coast, there are people, possible colonizers, interacting. A large cross has been erected on the coast on the right hand side of the image. The dexter supporter and sinister supporter are moose standing a curling ribbon with text in capitalized black sans-serif font.
99.
[Bookplate for Paul Gouin]
Black ink on cream paper. Border consisting of two thin black lines with solid black squares in the corners. Capitalized black serif-font written inside the border around an image. Image depicts a wooden house with a road in front. There are several clouds in the sky. There is a large tree in front of the side of the house, with the branches of another tree in the top right corner. The house has a wooden fence. In the foreground in the bottom right corner is grass.
100.
[Bookplate for R. J. A. Boreman]
In black ink. This bookplate displays a bespectacled man, presumably the originator, reading a book by candle-light. With no tonal variation, he is set-off against a black background, framed with a thin, asymmetrical, ornate border. Above the profile-portrait is the originator's name, and below, his Latin motto and a separate component in which a book number has been stamped in red.
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