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results 81-100 of 125 item(s)  page 5 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next
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81. [Bookplate for Francis J. Audet] [Bookplate for Francis J. Audet] Black ink on white paper. The shield is black at the top with an open book in the center and a fleur-de-lis on either side. The main part of the shield is charged with a lion rampant. Below the lion is a branch with three give-pointed leaves. The motto is printed on a banner below the shield in capitalized, black font. Underneath the motto is cursive black font in various sizes.

82. [Bookplate for Kennedy McIlwraith] [Bookplate for Kennedy McIlwraith] Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.

83. [Bookplate for John George Hodgins] [Bookplate for John George Hodgins] Black ink on white paper. The crest features a displayed black bird on a crest-wreath. At the top left of the bird, next to the tip of its wing, is a small radiating sun with a face in the middle. There is an esquire’s helm surrounded by dark, feathery mantling. The border of the shield is similarly elaborate. The shield is argent and charged with an argent cross with thin black border around each rectangular section. The shield is also charged with five black flowers that have five round petals and a circular black center. There is a flower in each corner of the shield and one in the center of the cross with a thin, black, square border. Below the shield, the motto is printed on a ribbon with curling, darkened ends. The motto is written in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in black, sentence case, Gothic font.

84. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.

85. [Bookplate for John William Griffin by Leslie Victor Smith] [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation.

86. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

87. [Bookplate for Hugh John Macdonald] [Bookplate for Hugh John Macdonald] Black ink on white paper. Above the escutcheon on a straight wreath, sits a dexter hand, erased, holding a cross crosslet. Below the wreath a vizored helm with mantling appears. The escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant and near sinister chief, or (gold), is a dexter hand, erased, holding a cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green) and a lymphad in the dexter base, argent. Below the escutcheon is a banner displaying the originator's Latin motto.

88. [Bookplate for George E. Longley by Francis Adams Sc.] [Bookplate for George E. Longley by Francis Adams Sc.] Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font.

89. [Bookplate for Victoria University] [Bookplate for Victoria University] Black ink on tan paper. Victoria University coat of arms and motto at top. Text covers rest of page.

90. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.

91. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font.

92. [Bookplate for K. M. Fenwick] [Bookplate for K. M. Fenwick] Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

93. [Bookplate for K. M. Fenwick] [Bookplate for K. M. Fenwick] Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

94. [Bookplate for McIntosh Art Gallery by Leslie Victor Smith] [Bookplate for McIntosh Art Gallery by Leslie Victor Smith] Black ink on cream paper. White ivy border over stippled black background. Names of John Gordon McIntosh and Wilhelmina Morris McIntosh inscribed on facing pages of book, behind which is a lit torch whose rays span out from the center of the plate. The text of the plate is on a scroll which is woven around a lyre, a symbol of harmony.

95. [Bookplate for Herbert Fairbairn Gardiner] [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size.

96. [Bookplate for Frank John Joseph] [Bookplate for Frank John Joseph] Black ink on cream paper. The crest features a bushel of wheat tied with a ribbon around the center atop a crest-wreath. Shield is divided per chevron. The background is black and it is charged with five smaller bushels three over two. The three bushels are above the chevron and the remaining two are below. The shield is decorated with an elaborate white border. Below the shield, the motto is printed in black, capitalized, block sans serif font on a curling ribbon with decorative ends. Underneath the motto, the bookplate owner’s name is printed in black, sentence case gothic font.

97. [Bookplate for F. W. R. Johnston] [Bookplate for F. W. R. Johnston] Black ink on cream paper. The border of the bookplate is decorated with black and white checkers with a thin white line on the side of the border. In the center of the bookplate is a modernized heraldic design. The background of the center of the bookplate is black with small white dots. Text is printed at the top of the bookplate in white block letters. In the middle of the bookplate is a crest-wreath from which extends a knight’s armoured arm holding a sword that is printed on top of the block lettering. There is a black eight-pointed star with a hole in the middle on the knight’s elbow. The motto is printed on a ribbon that extends up along the left side of the knight’s arm and then cuts across and starts curling down on the right side of the arm, extending out horizontally on the right side and curling back up again. Capitalized, black, serif font is printed on three parts of the ribbon. The part of the ribbon that curls up on the right side has a black stem with leaves on it. The ribbon has a border of two, thin black lines. Below the crest-wreath is a chunkier scroll with curling ends on all sides. The bookplate owner’s name is printed in capitalized, curling, black, serif font. The last name is larger than the first initials. Below the same is a stylized white and black infinity symbol. Within the borders, in the bottom right corner, there is a small white circle with a white cross in the center.

98. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

99. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back.

100. [Bookplate by William Walker Alexander] [Bookplate by William Walker Alexander] Black ink on cream paper. Depiction of a sloped road, an inn, and Brock’s Monument, a 56-metre column dedicated to Major General Sir Isaac Brock, a Canadian war hero from the War of 1812.
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results 81-100 of 125 item(s)  page 5 of 7 : ( <<  1  2  3  4  5  6  7  >> ) :: previous : next
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