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CONTENTdm Collection
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ONTARIO
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Image:
Title:
Description:
81.
[Bookplate for Emil Eerme and A. Lavdovsky by S. Svab]
In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.
82.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border.
83.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.
84.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black, forest scene done in watercolour, bordered on sides and base by ruled lines.
85.
[Bookplate for Emil Eerme and A. Lavdovsky by J. Svab]
In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.
86.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Lee]
Abstract white-outlined human figure on green background. Background bordered by abstract lines.
87.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Lee]
Abstract brown image on an agua-green background. Image includes a musical instrument (possibly a double bass), a human figure, a book, and a picture frame.
88.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Lee]
In blue and red ink, abstract image of what appears to be an eye-like shape projecting, from the iris, a beam downwards through two empty eye-like shapes and a third eye-like shape that seems to represent the eyelashes. The beam moves downward beyond these shapes and appears to illuminate a tree-like shape at the bottom. Text appears vertically along left border.
89.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans]
In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.
90.
[Bookplate for Elora Mechanics’ Institute]
Black ink on cream paper. A stylized border surrounds text in multiple fonts, including a Gothic title. A number is handwritten at the top of the plate in pencil.
91.
[Bookplate for Ellen A. Hoffman by Walter J. Phillips]
This wood-engraved bookplate's design is based from on a view near Lake Louise in Banff, Alberta. It features a running stream, grass, and trees. Bookplate image is surrounded by a stylized border, which features the grass of parnassus, which is also featured in the foreground of the scene. Bookplate is printed in black ink, on very thin paper.
92.
[Bookplate for Edward Feild Hebden by H. A. W.]
Black ink on cream paper. Crest features a lion passant on a crest-wreath. Below the crest is a gentlemen and esquire’s helm with elaborate, ribbon-like, mantling extending out and down the entire bookplate. The shield is argent and divided quarterly. The top left corner and bottom right corner are charged in the center with 5 black diamonds. The background pattern features a repeating geometric of three dots atop an arrow with three flared out points at the bottom. The top right corner and the bottom left corner are charged with a cross patonce. Below the shield is a ribbon with a larger section foregrounded and a smaller section closer to the bottom of the bookplate. The motto is printed on that small section in capitalized, sans-serif font. The bookplate owner’s name is printed on the foregrounded section in larger capitalized serif font. Below the ribbon is small text printed in sans-serif font.
93.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
94.
[Bookplate for Edith Dair and Carl Dair]
A man, bare-chested stands on a rocky outcropping, holding a book in his hand, balanced against his thigh. Light streams from above. Chestnut coloured ink on cream background. Originators' names in black type.
95.
[Bookplate for E. R. Hunter by Thoreau MacDonald]
Printed in black ink on cream paper. The image shows a loon facing left, in profile, with its beak open. It is framed by ripples of water above and below. In the background, two islands are reflected in the water. The island on the left is larger than the one on the right. At the bottom of the bookplate, the personal name and geographic location are provided in an all-caps, serif font. This is framed by two squares containing mirror images of a closed pine cone on an evergreen sprig.
96.
[Bookplate for David Finlay]
Black on cream paper ; A beaded border surrounds the name of the owner and the town.
97.
[Bookplate for David Finlay]
Black on yellow paper ; A beaded border surrounds the name of the owner and the town.
98.
[Bookplate for David Bond]
Bookplate design features a woodland scene, of a brook and foliage at foreground and trees at back. Bookplate text contained within banner at top.
99.
[Bookplate for David Bond and Elizabeth Bond]
Bookplate design features an eagle in flight in foreground, with compass in background. Bookplate owner names at base.
100.
[Bookplate for D. Guthrie]
The owner’s name, occupation, and city are centered and printed in black ink, surrounded by a decorative scroll and floral border.
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81
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100
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125
item(s)
page 5 of 7 : (
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