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	Search results for Part    Refine your search Creator 3 () 2 () 1 () 1 () 1 () Show more... results 61-80 of 83 item(s)  page 4 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 61. [Bookplate for Robert A. Harrison] Black ink on cream paper. Crest features a demi-lion rampant on the top part of a castle tower. The lion is wearing a crown and holding a floral wreath in its paws. There is a gentlemen and esquire’s helm surrounded by elaborately curling sable and argent mantling that extends out to each side and tapers down to the base of the bookplate. Shield is sable and charged with three demi-lions rampant, two over one. The lions are wearing crowns. The motto is below the shield printed in capitalized block white letters on a banner with curling ends. The bookplate owner’s name is printed in black, gothic sentence-case font at the bottom of the bookplate. 62. [Bookplate for Royal College of Dental Surgeons of Ontario] In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands. 63. [Bookplate for Saul Globus] This bookplate features an airplane circling around an abstract structure against a dark sky. 64. [Bookplate for Seeli Armitage-Stanley and Earl Spencer] In black ink on white paper, this heraldic bookplate consists of an Escutcheon quartered per cross and incorporates aspects of both the Armitage and the Stanley family crests. The dexter chief and sinister base sections are drawn from the Stanley crest and contain an azure (blue) garter, which holds three stag's head caboshed, on argent (silver). The sinister chief and dexter base quarters, taken from the Armitage crest, are gules (red) with three crosslets argent, two in chief and one in base, and a lion's head in fess. The helm consists of two helmets, to signify the incorporation of the two families, and is surrounded by mantling. Above the helm there is a small banner bearing the Armitage family motto, 'semper paratus.' Below the Escutcheon is another banner bearing the motto of the Stanley family, 'sans changer.'. 65. [Bookplate for Sir Charles Tupper] Crest is a dog (i.e. loyalty and guidance). Helm is a Baronets and Knights. On the shield at the middle chief are two boars (i.e. courage and savagery) ; at the fess point are three shells(i.e. water, love, St. James the Apostle, pilgrimage and travel). 66. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 67. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 68. [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner. 69. [Bookplate for Thomas Leland] This heraldic bookplate consists of an escutcheon, argent (silver), with a fess, sable (black). The fess is charged with a lion passant, and an escallop on either side. The upper part of the escutcheon is charged with three sheaves of wheat, with three stocks apiece. Upon the escutcheon is a straight wreath, charged with a gryphon, possibly an opinicus, with wings elevated and addorsed. In the creature's beak are three stocks of wheat. Below the escutcheon is a banner, with Latin motto within. 70. [Bookplate for Thomas Philip Earl de Gray] This heraldic bookplate is elaborately engraved in Chippendale style. The escutcheon is counterchanged per fess, its primary quarterings (at top left and bottom right) consisting of a barry of six, argent (silver) and azure (blue). The quarter at mid-top is vert (green), divided per chevron, or (gold). The quarter is also charged with three stags statant, two over one. The top left quarter is argent (silver), with a saltier, azure. The quarter is also charged with a roundlet, argent. The bottom left quarter is a gyrony of eight pieces, or and sable (gold). The quarter at mid-bottom is argent, divided per fess, gules (red) with a fillet in the lower part, azure. The quarter is also charged with three rings, gules on both the upper and lower parts. The Chippendale escutcheon is surrounded by two detailed dragons, the dexter supporter with its tailed nowed. Above the escutcheon is a coronet of earl status, and below the shield with Latin motto within. The owner's name is surrounded with elaborate borderwork, in the same style of wreath surrounding the shield. 71. [Bookplate for United Service Club] This bookplate's design features a royal crown above a thistle, clovers, a rose, and two surrounding branches. 72. [Bookplate for University of Alberta] Bookplate design consists of University of Alberta arms, latin motto and text in green ink. 73. [Bookplate for University of British Columbia and Alice Ravenhill] Black ink on white paper. The bookplate features a border consisting of several black lines with X designs in the corners. There is the University of British Columbia crest. The chief has a dark background and features an open book with its straps lying out. The university motto is printed in stylized black font on the book’s open pages. The bottom section of the map was alternating black and white lines. From the bottom of the shield is part of a sun with its rays extending upwards. The sun is charged with black dots. To the right of the shield is stylized gothic text in large, black font. Below it is text printed in smaller, cursive, black font. At the bottom of the bookplate is smaller text printed in the gothic, black font with dotted lines next to the words. 74. [Bookplate for W. J. M. Jones] The book plate owner's name and city are printed in black ink on cream paper in one script-style font. 75. [Bookplate for William C. Hawes by Alfred Adlard] In black ink on white paper a large building is shown surrounded by a fence, smaller buildings, and trees. 76. [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order. 77. [Bookplate] In purple ink, this is a textual book owner's stamp. 78. [Bookplate] In blue ink on white paper, the bookplate consists of different fonts and pre-printed lines for information to be filled in by hand. 79. [Bookplate] This bookplate is printed in black ink on cream paper, and consists of a decorative border with ivy leaves and trefoils attached to a thicker border, with a thin, multi-part border just inside. In the upper left is an ornate monogram and in the lower part are two dotted lines, the second of which is labeled. 80. [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858. select all : clear all : add to favorites results 61-80 of 83 item(s)  page 4 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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