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1.
[Bookplate for Hill’s Library]
Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.
2.
[Bookplate for Hill’s Library]
Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.
3.
[Bookseller's Tickets for Zephirin Chapeleau]
1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text.
2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text.
3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.
4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.
4.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
5.
[Bookseller's Tickets for Charles-Odilon Beauchemin]
1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field.
2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field.
3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text.
4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text.
5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book.
6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center.
7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image.
6.
[Bookseller's Tickets for J.A. Carveth & Co Limited]
1) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text.
2) In blue ink on white paper, the bookseller's ticket consists of a thin blue border surrounding blue text.
3) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text.
7.
[Bookplate for James MacLennan]
Black ink on white paper. Border made up of three fine lines surrounds text. Text fills entire space.
8.
[Bookbinder's Tickets for Joseph Fortier]
1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.
9.
[Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society]
Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.
10.
[Bookplate for Alfred P. S. Dubord]
A simple border surrounds the text. In the year “1856” the six is clearly written in black ink. A dashed line separates the first two lines of text from the last line of text.
11.
[Bookplate for James Lee]
Brown and red ink on cream paper. A thick brown border surrounds the bookplate. Inside is a thin red border. Underneath the top of the red border are two leaves printed on the left and right side of block, capitalized, serif text. At the base of the red border, text is printed in the same block letters in a slightly larger size. There is a second thin red border within the first one, inside of the block text. Inside this border is the image of a man sitting indoors reading a book. The man has long hair tied with a bow in the back and is wearing a long dark coat and large pants cropped at the knee. He also has simple shoes with bows on his feet. He is sitting in a large wooden chair and smoking a pipe. Behind him to the right is a window with diamond patterns. To the left of the window is a small frame with little detail. The man and his chair are in profile. In front of them, half a round table is visible. A small vase and a thin glass are atop the table. At the man’s feet, a small black cat lies curled atop a closed book.
12.
[Bookplate for Ecole polytechnique]
In black ink on thick pink paper with visible laid lines. Image includes a rectangular decorative border consisting of straight lines at the sides and more elaborate patterns in the corners surrounding 20 lines of text.
13.
[Bookbinder's Tickets for Zephirin Chapeleau and J.M. Lamothe]
1) In black ink on gray paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
2) In black ink on yellow paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
14.
[Bookbinder's Tickets]
1) In black ink on blue paper, the bookbinder's ticket consists of a decorative black border surrounding black text.
2) In black ink on yellow paper, the bookbinder's ticket consists of a decorative black border surrounding black text.
15.
[Bookseller's Tickets for Samuel Carsley]
1) In dark blue ink on white paper, the bookseller's ticket consists of a field of dark blue ink with a thin white / reserved-out border surrounding white text.
2) In gold metallic ink on red glossy paper, the bookseller's ticket consists of a simple gold border surrounding gold text.
16.
[Bookplate for Carnegie Library of Ottawa]
There are two solid, black line borders around the text. The bookplate is printed in black ink, and the words 'Carnegie Library of Ottawa' are printed in red ink in a Gothic script. Two thin black lines separate the words 'Carnegie Library of Ottawa' from the 'library rules' text.
17.
[Bookplate for W. Carleill-Hall]
Black ink on cream paper. Crest features a person’s head in profile facing the left. The person is wearing chain mail, but no helmet and is atop a crest-wreath. Below the crest-wreath is another crest with a gentlemen and esquire helm and elaborate black and white curling mantling extending out horizontally, as well as down the sides of the shield. The shield is divided per pale. The dexter side is argent with a sable chevron. It is charged with three black birds trussed, two over one. The chevron is charged with three white flowers with six petals and line decorations in the middle. The sinister side is sable and charged with three white demi-lions. At the base of the shield is a ribbon with a flat central base and ends that extend up like a V to the left and right. On that central base is printed, black, capitalized, sans serif text. Below the ribbon, the bookplate owner’s name is printed in black, sentence case, cursive text.
18.
[Bookplate for J.E.G. Bibliothèque]
Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections.
19.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
20.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
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