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Description:
201.
[Bookseller's Ticket for Campbell Bryson]
Printed in black ink on pink paper, this bookplate has an ornate scalloped border surrounding the text, which is has eight distinct fonts.
202.
[Bookplate for W.H. Smith & Son]
Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.
203.
[Bookplate for Cercle Cremazie]
Printed in black ink on tan paper, a very ornate scrollwork border surrounds the text.
204.
[Bookplate for Frederick Styles Lyman]
Printed in black ink on white paper. Family of birds atop a shield, quartered per cross. Quarters 2 and 3 feature five crosses, and quarters 1 and 4 feature three fish-like creatures. Below, a banner of Latin text.
205.
[Bookplate for J. Rumsey]
Printed in black ink, a simple linear border with sparsely set flowers surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.
206.
[Bookplate for L’Institut Canadien]
Printed in black ink, a thick decorative border surrounds the text.
207.
[Bookplate for Montreal Theological Training College]
Printed in black ink, a very ornate border surrounds the text.
208.
[Bookplate for Cavalry Church]
Printed in black ink, an ornate border surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church.
209.
[Bookplate for Ludger Gravel by Impremerie Ludger Gravel]
Printed in black ink, the double-line border surrounds the text of the owner’s name, address, and book number.
210.
[Bookplate for Fiction Inn Circulating Library]
Printed in black ink, the text discloses terms of use for the circulating library. Includes pre-printed form for checking in/out books. One and a partial date are visible, stamped in blue ink.
211.
[Bookplate]
Printed in light black ink on white paper with some foxing. The text is surrounded by a patterned border.
212.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border surrounds the text printed in three fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.
213.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border surrounds the text printed in three fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.
214.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in blue with accompanying banners. The shield is topped with a crown and features a red saltire with four different charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark. Beneath the coat of arms is a blank space with a number handwritten in grey ink, followed by the title of the school and a note on the school’s history.
215.
[Bookplate for Dufferin School John Frothingham Library]
Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.
216.
[Bookplate for Imperial Order Daughters of the Empire]
Purple ink on white paper. Seal of IODE at top. Text below. Border consists of three fine lines at top and bottom and a single fine line at the sides.
217.
[Bookplate for British Association for the Advancement of Science]
Red and black ink on white paper. Coat of arms at top. Quartered shield shows English rose, Scottish thistle, Irish clover and Canadian beaver. Text in a bordered circle around shield. Cursive text below. Contributors include British Association.
218.
[Bookplate for York University]
Red ink of white paper. York University shield at centre. Text at top and bottom. The shield is charged with a leaved tudor rose, and has a chief charged with two lions passant guardant.
219.
[Bookplate for Chs-Ed. Parrot]
Red ink on white paper. Consisting only of text, the owner's name and location are surrounded by a border. Exposure to water has cause the ink to smudge.
220.
[Bookplate for Stanley Harrod]
Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
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201
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item(s)
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