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CONTENTdm Collection
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Twelve
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1.
[Bookplate for James Penderel Brodhurst]
This bookplate consists of an escutcheon quartered per cross. The dexter chief and sinister base quarters are azure (blue) with fretty of twelve pieces, or (gold) and embattled. The sinister chief and dexter base quarters are argent (silver) and contain a sable (black) fess on which are three royal crowns. On the argent background is a tree. Located at the precise middle chief of the escutcheon is a label, which represents the first son. Raised above the shield are two straight crest wreaths. Atop the dexter is a nested swan, wings displayed azure and elevated, with fretty of twelve pieces, or and embattled. On the belly of the swan is a sable etoile. Atop the sinister crest wreath sit crossed a sceptre and a sword. Above them is a royal crown. Below the shield is a banner containing the Latin motto.
2.
[Bookplate for James G. J. Penderel Brodhurst by M. Soane]
This highly detailed bookplate contains an escutcheon quartered per cross, with a label (symbolizing an heir, first son) at the precise middle chief. The first and fourth quarters are argent (silver) with fretty of twelve pieces, embattled. The second and third quarters are argent, with a tree proper and a fess, argent with sable (black) fillet, containing three royal crowns. Upon the escutcheon rests a large coronet, resembling that of an earl. Above the coronet are two straight crest wreaths. On the dexter wreath is a nested swan, wings displayed argent and elevated, with fretty of twelve pieces, sable and embattled. On the belly of the swan is an argent mullet. On the sinister wreath are a crossed sceptre and sword. Above them is a royal crown. In between and on either side of the wreath symbols are what appear to be leaves. Above the wreath symbols is a banner containing the Latin motto. The escutcheon is accompanied by two supporters. The dexter supporter is a dragon with an argent mullet on its chest, while the sinister supporter is a griffin, also with a mullet on its chest. Below the escutcheon and the supporters is an additional banner.
3.
[Bookplate for William Hale White]
Executed with black ink on ivory paper, this bookplate depicts a sailing vessel heading towards the horizon where the sun is rising/setting. The vessel is framed by two obelisk-shaped pillars.
4.
[Bookplate for W.H. Smith & Son]
Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.
5.
[Bookplate for Mudie's Select Library]
Black ink on yellow paper. Text surrounded by narrow, double, hexagonal border. Top has been slightly cut off.
6.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate.
7.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of text surrounded by a floral border. At the top centre of the border is a scallop shell.
8.
[Bookplate for Sir George Frederick Samuel Robinson]
This heraldic bookplate consists of a crest of a stag at gaze, which is upon a small version of a coronet of duke status. Surrounding the crest in a circular orientation is a garter of azure (blue), with French motto within. Surrounding the garter is a heraldic collar, with twelve roses (surrounded by circular garters with French motto within) at regular intervals. Upon the collar is a full version of a coronet of duke status, and immediately below the collar (as a pendant) is a rendering of the biblical event of St. George slaying the dragon.
9.
[Bookplate for Johannis Platt by John Dickson Batten]
This bookplate has both heraldic and pictoral qualities. The primary subject of the bookplate is a lamb, grazing in a glade of flowers, with bookplate owner's name in a banner below. In the background, the bookplate features a pen of sheep as well as a dead wolf hanging from a tree. At top-left corner, the bookplate features an escutcheon, azure (blue), charged with two fleur-de-lis and a lamb, two over one, and a chevron or (gold) charged with a fleur-de-lis and two cinque foil. Above the escutcheon is a peer helmet, with a wreath charged with a grazing lamb. Mantling radiates from the helmet, and Welsh motto is contained on one side. The entire scene is contained within a stylized border, with Welsh motto within.
10.
[Bookplate for George Grote]
This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements.
11.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
12.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
13.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
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